TIME–IMAGE ATLASP4 THEATER · DELEUZE
中文
SCENE EVIDENCE / SHOT, SOUND, RELATION, PAGE

One scene, one complete chain of evidence

The first dossier contains 10 scenes from Pour la suite du monde. Each record begins with a key still, then unfolds visible facts, audible facts, action, time, criterion, primary locator, and viewing source.

NFB catalogue runtime: 1:45:29; the HLS playlist checked on 2026-08-13 runs approximately 1:45:36. Displayed windows locate verified anchors; narrative boundaries await shot-level review. Primary locator: Cinema 2, Tomlinson/Galeta translation, University of Minnesota Press, 1989.
01

Image

Key still, timecode, and visible fact.

02

Relations

Action, time, and criterion.

03

Locators

Concept, term, chapter, and primary pages.

04

Access

Carrier, rights status, and verification date.

DOSSIER 01 · P1 FILM × E1 SCENE ANALYSIS

From oral memory to collective action

P1 film relation: Deleuze directly discusses this film. E1 scene analysis: ten scenes test deliberation, transmission, financing, construction, ritual, and delegation.

10 scenes

01People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

Preparing to revive the beluga hunt

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:09:30—00:10:30Timecode · BoundedOfficial NFB English-version stream; anchor 00:10:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
Three islanders confer above the river while one holds a wooden post or tool.

Preparations for the beluga hunt begin with a riverside discussion.

Bilibili timecode: 00:10:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. Three island men confer above the river; one handles a wooden post or tool. The hunt concerns the beluga, locally called marsouin blanc.

AUDIBLE FACTS

  1. French location dialogue discusses preparations still to be made; the official player supplies English subtitles.
ACTION

Action relation

The hunt has long been discontinued, while elders retain its techniques in memory and speech; collective deliberation reorganizes them into an executable plan.

TIME

Temporal relation

The past enters the present as practical knowledge awaiting revival, and the group retakes that time through narration.

CRITERION

Criterion

Subsequent images show deliberation becoming roles, equipment, and shared labour.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeDeliberation convenes a shared project and begins reorganizing participant positions.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.peuple à venir / le peuple manque · a people to come / the people are missingResponse, delegation, and shared practice produce collective utterances and prefigure a people not yet formed.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
02People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

Low-tide knowledge is spoken back into use

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:14:30—00:15:30Timecode · BoundedOfficial NFB English-version stream; anchor 00:15:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
A man in a cap stands beside a building in winter, raising a hand toward his mouth.

The elders restate the rule that the work must follow low tide.

Bilibili timecode: 00:15:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. Older islanders converse face-to-face beside a building in winter.

AUDIBLE FACTS

  1. The dialogue specifies that the work must take place at low tide.
ACTION

Action relation

A remembered rule is first actualized in speech before it can guide labour.

TIME

Temporal relation

A technical past returns as present speech and awaits new bodies to enact it.

CRITERION

Criterion

Later judgements of tide, placement of posts, and collective labour take up this knowledge.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeSpeech preserves and transmits a rule for action.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
03People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

Announcing the project to the island

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:19:30—00:20:30Timecode · BoundedOfficial NFB English-version stream; anchor 00:20:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
A bespectacled man speaks to another man outside a wooden building.

The shared project reaches islanders through face-to-face explanation.

Bilibili timecode: 00:20:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. A man explains the project to two others outside a wooden building.

AUDIBLE FACTS

  1. The exchange frames the task as informing residents and drawing them into a collective intention.
ACTION

Action relation

Speech recruits participants before a complete agent of action exists.

TIME

Temporal relation

A long-interrupted communal practice is recast as a public commitment toward the future.

CRITERION

Criterion

The sequel shows recruits, delegated roles, financing, and collective construction.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeAnnouncement and persuasion establish a collective position.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.peuple à venir / le peuple manque · a people to come / the people are missingResponse, delegation, and shared practice produce collective utterances and prefigure a people not yet formed.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
04People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

Financing the revived hunt

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:24:30—00:25:30Timecode · BoundedOfficial NFB English-version stream; anchor 00:25:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
A seated man speaks during an indoor meeting, shown in profile.

The meeting translates the hunt into financing and equipment.

Bilibili timecode: 00:25:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. A seated man speaks during an indoor meeting; the frame concentrates on his profile and expression.

AUDIBLE FACTS

  1. The discussion calculates a purchase in units priced at 500 dollars.
ACTION

Action relation

Money and equipment turn shared memory into an institutionally executable project.

TIME

Temporal relation

The return of past practice is measured anew through present budgets, commitments, and resources.

CRITERION

Criterion

The calculation belongs to the film’s larger collective reconstruction and leads toward purchase and construction.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeMeeting speech distributes commitments and resources.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
05People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

At sea, the hunt becomes an origin story

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:29:30—00:30:30Timecode · BoundedOfficial NFB English-version stream; anchor 00:30:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
Several men gather on a working boat as the river moves behind them.

The river journey unfolds alongside a story about the hunt's origin.

Bilibili timecode: 00:30:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. Men cluster on a working boat while the river continues moving behind them.

AUDIBLE FACTS

  1. Conversation invokes earlier times and attributes the practice’s invention to Indigenous predecessors.
ACTION

Action relation

The voyage supplies actual action, while origin is organized through situated storytelling.

TIME

Temporal relation

A communal past enters the present through several speakers’ memories and conjectures without closing into one archival conclusion.

CRITERION

Criterion

The attribution records the islanders’ narrative position; Indigenous history requires separate independent evidence.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeBoat dialogue circulates origin through collective enunciation.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
06People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

How to outwit the whale

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:34:30—00:35:30Timecode · BoundedOfficial NFB English-version stream; anchor 00:35:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
A bespectacled man speaks indoors and gestures toward his chest.

An elder explains how a hunter must outwit the whale.

Bilibili timecode: 00:35:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. An older man speaks indoors and gestures toward his chest while others listen.

AUDIBLE FACTS

  1. He explains that the hunters must be more cunning than the whale.
ACTION

Action relation

The utterance acts simultaneously as instruction, self-fashioning, and transmission of hunter identity.

TIME

Temporal relation

The elder turns past competence into a role present participants can inherit.

CRITERION

Criterion

Later collective construction and hunting give the utterance practical force.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeSpeech calls participants into the role of capable hunters.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.peuple à venir / le peuple manque · a people to come / the people are missingResponse, delegation, and shared practice produce collective utterances and prefigure a people not yet formed.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
07People and fabulation
E1 · Scene analysisFilm facts · BoundedFilm-level text relation · Verified

Setting posts in the tide

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 00:43:35—00:44:13Timecode · BoundedOfficial NFB English-version stream; anchor 00:44:02 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
Three people steady an upright post together, with water behind them.

Deliberation, roles, and materials become shared construction in the water.

Bilibili timecode: 00:43:56Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. Several islanders stand knee-deep in the tide among rows of set posts, steadying and adjusting an upright post; the sequence turns to the water, post rows, and close views of hands.

AUDIBLE FACTS

  1. The dialogue discusses spacing posts about one pace (roughly three feet) apart, how water entering the boat impedes the work, and earlier labour in the water wearing leather boots.
ACTION

Action relation

Effective action is present here; it has been generated by prior remembrance, deliberation, and delegation.

TIME

Temporal relation

Past practice receives a differentiated re-enactment through new bodies and materials.

CRITERION

Criterion

The labour itself is action; its temporal relation comes from the full genesis from oral account to construction.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeEarlier speech acts acquire consequences in collective labour.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
08People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

Workshop debate over the origin of the posts

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 01:09:30—01:10:30Timecode · BoundedOfficial NFB English-version stream; anchor 01:10:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
Two men converse beside a furnace fire in a workshop.

The origin of the post structure remains unsettled in a workshop exchange.

Bilibili timecode: 01:10:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. Two men converse beside a furnace fire in a workshop.

AUDIBLE FACTS

  1. The exchange asks where Indigenous people obtained the idea for the posts.
ACTION

Action relation

Origin circulates as an unresolved question among speakers and shapes how they understand the ongoing work.

TIME

Temporal relation

The past remains stratified within dispute rather than closed by a single authority.

CRITERION

Criterion

The scene establishes the speakers’ conjecture and memory; historical fact requires Indigenous sources and archival verification.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeDispute keeps historical narration collective and open.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
09People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

The priest blesses the undertaking

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 01:29:30—01:30:30Timecode · BoundedOfficial NFB English-version stream; anchor 01:30:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
A group gathers on rocky ground above the water.

The blessing gives the shared undertaking a public identity.

Bilibili timecode: 01:30:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. A priest and a clustered group stand on rough ground above the water.

AUDIBLE FACTS

  1. The prayer invokes God and those participating in the undertaking.
ACTION

Action relation

Ritual speech gives the undertaking a public identity and shared commitment.

TIME

Temporal relation

An older tradition enters the newly forming collective through a present ritual.

CRITERION

Criterion

Assembly, shared listening, and subsequent action together show the ritual’s social efficacy.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeThe blessing authorizes and connects participants as it is uttered.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.peuple à venir / le peuple manque · a people to come / the people are missingResponse, delegation, and shared practice produce collective utterances and prefigure a people not yet formed.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.
10People and fabulation
E1 · Scene analysisFilm facts · VerifiedFilm-level text relation · Verified

Delegating a spokesman at the aquarium

Pour la suite du monde · Pour la suite du monde · 1963 · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗

approx. 01:39:30—01:40:30Timecode · BoundedOfficial NFB English-version stream; anchor 01:40:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.
Three men converse in an outdoor area of the aquarium, with one positioned between the other two.

The group delegates one member to speak for them inside an institutional setting.

Bilibili timecode: 01:40:00Open the video
Bilibili · 牛仔C麦 · user-provided public repost page
Verified: 2026-08-13

VISIBLE FACTS

  1. Three men converse in an outdoor area of the aquarium; one occupies the position between the other two.

AUDIBLE FACTS

  1. The exchange explicitly delegates one participant to speak for the group.
ACTION

Action relation

Through delegation, an individual voice acquires a plural position and represents the common undertaking within an institution.

TIME

Temporal relation

The film carries the community from remembering an old practice to producing a representative and entering new institutional relations.

CRITERION

Criterion

Delegation is spoken by group members and changes who can speak in what capacity.

Concepts

FabulationNarration and re-enactment give a long-interrupted practice renewed actual relations.Speech act and a people to comeDelegation turns an individual voice into a position of collective enunciation.

Terms

fabulation · fabulationStory reorganizes reality and collectivity within the filming process.acte de parole · speech actSpeaker, addressee, path of circulation, and consequences enter the image together.peuple à venir / le peuple manque · a people to come / the people are missingResponse, delegation, and shared practice produce collective utterances and prefigure a people not yet formed.

Chapters

CINEMA 2 · CH. 06Perrault and fabulation: the model of truth shifts toward story in formation.CINEMA 2 · CH. 08Speech act, collective enunciation, and a people to come.