00:02:35Action rupture · SHOT EVIDENCE
The cemetery emerges from rubble
When a cemetery is also a worksite and passage of daily life, at what scale can action still repair the city?
Film and viewing version
Germany Year Zero · Germania anno zero · Roberto Rossellini / 罗伯托·罗西里尼 · 1948
Frame-checked against the single-part Bilibili repost stream BV1hP4y1k78i: the page API reports 4,388 seconds and the retrieved qn16 media runs 4,387.37 seconds. Bilibili supplies no subtitle track; audible facts record only clearly discernible German speech, music, and ambient sound in the image sequence.
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Passage and still timecodes
00:02:05 to 00:02:54
Passage bounds checked on the named carrier
The passage bounds and Bilibili still at 00:02:35 were checked separately on their named carriers. They remain distinct coordinates and do not establish identical timecodes for other versions.
Visible facts
- 01
The camera first pans across damaged buildings and the city skyline, then cuts into an overgrown cemetery.
- 02
People dig and carry materials among graves, markers, and rubble; a pale board crosses the foreground.
Audible facts
- 01
The opening orchestral music continues over the city views and the first images of labour in the cemetery.
Action relation
Digging and carrying are concrete labours, yet they cannot restore stable distinctions among cemetery, dwelling, and ruin.
Temporal relation
The wartime past does not return through flashback; it remains in the present as a layer of damage still used, cleared, and crossed.
Conceptual reading
The ruin must remove the space's single practical use while retaining local human actions; only their coexistence makes it more than a war backdrop.
Concepts used in the judgement
- Sensory-motor schemaschème sensori-moteur · SCENE SUPPORT
Test whether perception still extends naturally into action adequate to transform the situation.
→ - Any-space-whateverespace quelconque · SCENE SUPPORT
Cemetery, worksite, and ruin begin to interpenetrate, providing a test for any-space-whatever relations.
→
Primary and scholarly coordinates
- 01Cinema 2: The Time-Image
Minnesota 1989 translation: Preface, p. xi; ch. 1, p. 2. 2004 Simplified Chinese edition: ch. 1, p. 3.
Brief primary-text mention: Deleuze uses the child in Germany Year Zero to connect motor helplessness with a greater capacity to see and hear. Preface p. x and the chapter's following passages are adjacent conceptual context, not direct pages on the film; the scene windows, facts, and criteria are this atlas's shot analysis.
Terminological coordinates
Chapter relations
Viewing and still sources
Direct scene · Complete single-part Bilibili film; the page and anonymous Player API were verified as playable. Bilibili submission label: repost.