Seminars and recordings
Read the cinema seminars by year and session. The Purdue archive holds recordings, French transcripts, and English translations.
Open the seminar archiveCHINESE READINGS
Seminars, translations, and readings in Chinese
Explore 34 Chinese-language resources on Deleuze. Find translations and reading notes by seminar, work, or term, then follow the recordings, French transcripts, English translations, and related film analyses.
Works and translations
Find Chinese readings of Cinema 1, Cinema 2, and other works alongside published editions, chapter locators, and book guides.
Browse books and editionsTerms and films
Follow actual, virtual, and crystal-image into definitions, translations, and specific shots, then read the seminars alongside film analyses.
Look up a termRead the film analysesCOMMUNITY GATEWAYS
The cinema seminars, 1981–1985
The Chinese community brings together translations and readings of the four cinema seminar series. Open a Notion series by year, then compare individual sessions with the audio, French transcripts, and English translations in the Purdue archive.
COMMUNITY CATALOG · 2026-05-10
The wider community catalog
The catalog dated 2026-05-10 contains 20 seminar gateways, 26 works, 5 entries about Deleuze, 4 cinema entries, 668 dictionary entries, and 2 main indexes.
Browse the community catalogConcept explanations and research literature
A
CHINESE RESOURCES
Chinese resource index
Independent community contributors maintain the Chinese translations and reading notes. Filter by seminar, work, or keyword, then open the original community page for the full text.
34 records · 24 shown
01
Platform hubOther material gateway
Deleuze Seminars Chinese Community Index
ZH / FR / EN · public-webCorpus-wide discovery gateway. Citations resolve to a specific page and primary archive.
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Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
02
Platform hubOther material gateway
Deleuze Reads Cinema
page label: 1976–1989
ZH / FR / EN · public-webCinema sub-hub linking both Cinema volumes and pages on Ozu and Duras. The 1976–1989 label marks the material range; each seminar series has separate dates.
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
03
Develops the movement-image through Bergson, Peirce, and cinematic classification, supplying the genetic conditions for the time-image’s break.
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Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
04
Cinema seminar seriesCourse material
Cinema: The Classification of Signs and Time
1982–1983
ZH / FR / EN · public-webConnects movement-image taxonomy to time and traces Deleuze’s transformation of Peircean terms. The source page combines seminar transcripts and compiler commentary, cited separately.
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Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
05
Cinema seminar seriesCourse material
Cinema, Truth and Time: The Falsifier
1983-11-08 — 1984-06-12
ZH / FR / EN · public-webA central time-image series linking the crisis of truth, crystalline formation, chains of falsifiers, and powers of the false. Citations identify the session date and recording or Purdue transcript.
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Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
06
Cinema seminar seriesCourse material
Cinema and Thought / The Thought-Image
1984–1985
ZH / FR · public-webMoves from rational/irrational cuts and temporal series/orders toward speech acts, audiovisual relations, and thought’s powerlessness. The page currently foregrounds the 5 March 1985 session; translation coverage follows the material displayed there.
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Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
07
Film text & guided readingCommunity translation / reading
Cinema 1: The Movement-Image
book: 1983; Notion page created: 2021-05-18
ZH / FR / EN · public-webChapter-organized community reading gateway comparing French, English, and Chinese versions. Pagination identifies the cited edition.
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
08
Film text & guided readingCommunity translation / reading
Cinema 2: The Time-Image
book: 1985; Notion page created: 2021-06-05
ZH / FR / EN · public-webCompares French, English, and several Chinese renderings and includes compiler tools and commentary. Citations distinguish primary text, translation, and secondary synthesis.
Related termsPure optical / sound situationActual / virtualcrystal-imagesheets of the pastchronosignPowers of the false
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
09
Film text & guided readingCommunity translation / reading
On Yasujirō Ozu
ZH / FR / EN · public-webConnects everyday spaces, still lifes, and empty shots to pure optical/sound situations. A break in sensory-motor extension only opens the threshold of the time-image; one must still test how temporal relations reorganize movement and shot connections.
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
10
Film text & guided readingCommunity translation / reading
On the Cinema of Marguerite Duras
ZH / FR / EN · public-webA key page for audiovisual disjunction, speech acts, emptied places, and incommensurable relations. Cross-check with Cinema 2 chapter 9 and specific shots; voice-over enters the analysis through its audiovisual relations.
Related film evidenceIndia Song
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
11
Key non-cinema seminarCuratorial / archival guide
Introduction to the Seminars
ZH / FR / EN · public-webExplains the organization of seminar archives, transcripts, and translations; source level: archive guide.
Related termsnoosign
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
12
Key non-cinema seminarCourse material
What Is Grounding? — Louis-le-Grand Hypokhâgne
1956–1957
ZH / FR / EN · public-webSupplies early teaching context on grounding, reason, and problems and traces the formation behind later problematics and concept creation.
Related termsnoosign
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
13
Traces the teaching prehistory of duration, memory, and subjectivity as genealogical context for the time-image; direct arguments appear in Matter and Memory and Cinema 2.
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
14
Key non-cinema seminarCourse material
Anti-Oedipus I: Logic of Flows
1971–1972
ZH / FR / EN · public-webProvides seminar context for desiring-production, flows, breaks, and social machines. Film analysis focuses on how image assemblages produce subjects.
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
15
Key non-cinema seminarCourse material
Anti-Oedipus II
ZH / FR / EN · public-webContinues desire, social coding, and subjectivation through bodies, speech, and assemblages. Concepts brought into Cinema research are marked as cross-text transfers.
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
16
Key non-cinema seminarCourse material
Anti-Oedipus III
ZH / FR / EN · public-webCarries the Anti-Oedipus seminar cluster toward assemblage, territory, and collective enunciation. Cinematic applications are marked as theoretical transfers, distinct from Cinema 2 categories.
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
17
Key non-cinema seminarCourse material
A Thousand Plateaus II: Two Forms of Segmentarity
1977 course cluster
ZH / FR / EN · public-webAnalyzes rigid and supple segmentarity in spaces, institutions, and bodies. Concrete spatial organization establishes the relation to any-space-whatever.
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
18
Key non-cinema seminarCourse material
A Thousand Plateaus III: Continuous Variation
contains IRCAM session: 1978-02-23
ZH / FR / EN · public-webIncludes Deleuze and Boulez on musical time, a reference for pulsed/non-pulsed time and heterogeneous durations. Audiovisual analysis establishes any link to the cinematic time-image.
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19
Key non-cinema seminarCourse material
A Thousand Plateaus IV: Metal, Metallurgy, Music, Husserl, Simondon
1979-02-27
ZH / FR / EN · public-webBrings matter-flow, movement, metallurgy, and Simondonian individuation into film research to analyze media materiality and becoming.
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20
Key non-cinema seminarCourse material
State Apparatus and War Machine
ZH / FR / EN · public-webA source for institutional space, apparatuses of capture, nomadic distribution, and collective force. Its link to political cinema operates through staging, voice allocation, and permissions to act.
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
21
Key non-cinema seminarCourse material
Kant: Synthesis and Time
ZH / FR / EN · public-webA gateway to the philosophical reversal by which time ceases to be measured by movement, clarifying time out of joint. Image-relations provide the film-level evidence for a time-image.
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Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
22
Key non-cinema seminarCourse material
Leibniz: Philosophy and the Creation of Concepts
ZH / FR / EN · public-webProvides a genealogy for incompossible worlds, bifurcation, and concept creation. Links to peaks of the present or powers of the false specify the temporal relation.
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
23
Key non-cinema seminarCourse material
Anti-Oedipus and Other Reflections
ZH / FR / EN · public-webConnects post-Anti-Oedipus conceptual revisions and teaching reflections, marking shifts in Deleuze–Guattari terminology over time.
Related termsnoosignBody / brain
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The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
24
Key non-cinema seminarCourse material
Spinoza: The Velocities of Thought
1980–1981
ZH / FR / EN · public-webExtends body-cinema research through speed, slowness, affect, and capacity to act. Slowness here is relational and capacitary; slow motion and slow cinema are concrete forms.
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Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.