The atlas curates 34 page-level gateways from the Deleuze Seminars Chinese community corpus: four cinema seminar series, both Cinema books, filmmaker pages, philosophy seminars, works, and a dictionary. We index relations rather than reproduce long translations.
A community-run Chinese Notion corpus that gathers Deleuze seminars, writings, cinema materials, and terminology. It is highly valuable for Chinese readers, but translators, source editions, completeness, and revision status vary by page. We treat it as a traceable research gateway, not an authoritative edition.
Store only page-level metadata, stable links, short annotations, and concept relations. Reading, quotation, and contextual judgment must return to the source page and, where possible, be checked against French recordings/transcripts, Purdue translations, and published editions.
Public readability does not imply peer review. Some pages combine community Chinese translations, French text, English translations, reader notes, or external files. Quotations, film titles, pagination, and terms must not be presented as Deleuze's exact words without checking. Source-title variants such as 图像/图象 are preserved here, while site prose follows the house glossary.
The four cinema series should be located by session and date across 1981–1985. Notion supports discovery; Purdue supplies audio, French transcripts, and English translations for checking.
This is the complete local-ledger snapshot dated 2026-05-10, not a live crawl. Its total of 725 comprises 20 seminar gateways, 26 work gateways, 5 About Deleuze gateways, 4 cinema gateways, 668 dictionary entries, and 2 root pages. The public root observed on 2026-08-12 already shows later course additions, so 725 must not be presented as the current live total.
Each record preserves source title, stable link, languages, scope, editorial note, related terms, and provenance boundary—without copying translations or presenting a community gateway as a critical edition.
34 curated gateways
The corpus-wide gateway. Use it for discovery, not as a terminal bibliographic source; every citation should descend to a specific page and primary archive.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
page label: 1976–1989
ZH / FR / EN · public-webThe cinema sub-hub linking both Cinema volumes and pages on Ozu and Duras. Its 1976–1989 label describes the material range and must not be mistaken for the dates of the four cinema seminar series.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1981–1982
ZH / FR / EN · public-webBegins from Bergson, Peirce, and cinematic classification to develop the movement-image. It supplies the conditions from which the time-image breaks and should not be reduced to a list of classical films.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1982–1983
ZH / FR / EN · public-webConnects the taxonomy of movement-images to the problem of time and is especially useful for tracing Deleuze's transformation of Peircean terms. The page also contains compiler notes that must be distinguished from seminar transcript material.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1983-11-08 — 1984-06-12
ZH / FR / EN · public-webA central series for time-image research, linking the crisis of truth, crystalline formation, chains of falsifiers, and powers of the false. Because the community page combines several voices and sources, cite by session date and check the recording/Purdue transcript.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1984–1985
ZH / FR · public-webMoves from rational/irrational cuts and temporal series/orders toward speech acts, audiovisual relations, and thought's powerlessness. The page currently foregrounds the 5 March 1985 session and should not be taken as proof that the entire series has been translated.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
book: 1983; Notion page created: 2021-05-18
ZH / FR / EN · public-webA chapter-organized community reading gateway explicitly consulting French, English, and Chinese versions. Useful for comparison but not a single authoritative Chinese edition; pagination must identify the edition used.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
book: 1985; Notion page created: 2021-06-05
ZH / FR / EN · public-webOne of the site's most important external Chinese gateways, bringing French, English, and multiple Chinese renderings into comparison. It also contains compiler tools and commentary, so primary text, translation, and secondary synthesis must remain distinct in citation.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Connects everyday spaces, still lifes, empty shots, and pure optical/sound situations to the time-image. Do not turn this into the shortcut stillness/slowness/empty shot = time-image; the sensory-motor linkage still has to be tested.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
A key page for audiovisual disjunction, speech acts, emptied places, and incommensurable relations. Check it against Cinema 2 chapter 9 and specific shots; voice-over alone does not automatically constitute a time-image.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Explains how seminar archives, transcripts, and translations are organized. It is a source guide, not a primary passage for any particular Deleuzian concept.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1956–1957
ZH / FR / EN · public-webSupplies early teaching context on grounding, reason, and problems. It is not a direct source for the cinema concepts, but prevents later problematics and concept creation from being detached from Deleuze's early philosophical formation.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1959–1960
ZH / FR · public-webAn early-course gateway for the prehistory of duration, memory, and subjectivity. It is genealogical context for the time-image, not a substitute for direct arguments in Matter and Memory or Cinema 2.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1971–1972
ZH / FR / EN · public-webProvides seminar context for desiring-production, flows, breaks, and social machines. Its cinematic use should analyze how image assemblages produce subjects, not merely label a film a desire-machine.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Continues desire, social coding, and subjectivation. We connect it to bodies, speech, and assemblage analysis only; concepts from the collaborative work must not be back-projected into the Cinema books without argument.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Carries the Anti-Oedipus seminar cluster toward later questions of assemblage, territory, and collective enunciation. Any cinematic application must be marked as a theoretical transfer, not an original Cinema 2 category.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1977 course cluster
ZH / FR / EN · public-webHelps analyze how spaces, institutions, and bodies are rigidly or supplely segmented. Its relation to any-space-whatever must be demonstrated through concrete spatial organization, not inferred from fragmentation alone.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
contains IRCAM session: 1978-02-23
ZH / FR / EN · public-webThe current page includes Deleuze and Boulez on musical time, offering a reference for pulsed/non-pulsed time and heterogeneous durations. Musical time must not be equated with the cinematic time-image without audiovisual analysis.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1979-02-27
ZH / FR / EN · public-webBrings matter-flow, movement, metallurgy, and Simondonian individuation into the research matrix, useful for media materiality and becoming. It is not a stylistic label for a metallic aesthetic.
The public Notion page title and link were checked directly on 2026-08-12. This verifies page-level metadata only, not the accuracy of the entire translation.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
A source for institutional space, apparatuses of capture, nomadic distribution, and collective force. Its link to political cinema must pass through visible mechanisms such as staging, voice allocation, and permissions to act.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
A gateway to the philosophical reversal by which time ceases to be measured by movement. It clarifies time out of joint but cannot by itself prove that a film forms a time-image.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Provides a genealogy for incompossible worlds, bifurcation, and concept creation. When linked to peaks of the present or powers of the false, specify the temporal relation rather than merely invoking multiple worlds.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Connects post-Anti-Oedipus conceptual revisions and teaching reflections. Use it as a temporal marker for changing terminology, not to flatten every Deleuze–Guattari phase into one vocabulary.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1980–1981
ZH / FR / EN · public-webExtends body-cinema research through speed, slowness, affect, and capacity to act. Slowness here is relational and capacitary, not automatic philosophical proof supplied by slow motion or slow cinema.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1981
ZH / FR / EN · public-webA cross-media reference for diagrams, marks, forces, colour, and sensation. Cinematic use must return to shots, materiality, and bodies rather than treating painting concepts as decorative metaphors.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1985–1986
ZH / FR / EN · public-webA key gateway for the visible and sayable, diagrams, strata, and subjectivation. It deepens audiovisual disjunction, but visible/sayable is not simply image/dialogue; the conceptual pairs must remain distinct.
The Notion title/link was cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series, not the publication date of the community page.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Returns to the philosophical basis of duration, memory, actual/virtual, and coexistence of the past. Terminology still requires Bergson's texts, since Deleuze's cinema concepts are not verbatim transfers from Bergson.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
Supplies seminar genealogy for immanence, bodily capacities, and affect. Film analysis must begin from what bodies can do and how speeds change, not let immanence replace shot evidence.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
original: 1966; cited Chinese edition: 2023
ZH / FR · public-webAn important bibliographic gateway for stabilizing duration, memory, actual/virtual, and multiplicity. Any page-level availability does not alter copyright; formal citation should return to a lawful edition and publisher metadata.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
original: 1968; indexed edition label: 2015
ZH / FR · public-webA primary route into difference, repetition, syntheses, the virtual, and forced thought. Cinematic use must be marked as genealogy or methodological extension; repeated shots are not automatically philosophical repetition.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
French collection: 2003
ZH / FR / EN · public-webA cross-period gateway to essays, lectures, and interviews, useful for tracing concepts across contexts. Collection date, original composition date, and community-page date must remain separate.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
1991
ZH / FR / EN · public-webA key gateway for concepts, percepts, and affects, grounding the site's view of cinema and philosophy as parallel creation. Do not retroactively treat this late tripartition as explicit terminology in every passage of the Cinema books.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
An alphabetized interview gateway useful for conceptual side routes and spoken context. Improvised interview formulations do not replace definitions in the books; subtitles and names require checking against the French video.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.
local catalog snapshot: 2026-05-10
ZH / FR / EN · public-webThe local 2026-05-10 catalog snapshot records 668 entries. This is a gateway for term discovery and variant tracking, not a canonical glossary. Our glossary should separately record the French term, major Chinese variants, house choice, rationale, edition sources, and misuse warnings.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This site provides discovery, relation mapping, and verification guidance; it is not the author, publisher, or reviser of the source translation.