Identification poster for An Autumn Afternoon
IMDb identification poster · for film identification only

Yasujirō Ozu / 小津安二郎 · 1962

An Autumn Afternoon

秋刀魚の味

The father’s tears after the wedding remain within the everyday; death, separation, and grief flow through the same temporal series.

Film details

Original title
秋刀魚の味
Director
Yasujirō Ozu / 小津安二郎
Year
1962
Region
Japan

Film analysis: how shots organize concepts

ATLAS MECHANISM BREAKDOWN

Repeated office, bar, and house reduce the decision to marry off a daughter from dramatic event to everyday variation; only after it is complete does the father see irreversible time in the empty home.

  1. 01
    Repeated spaces accumulate pressure

    Shūhei Hirayama repeatedly discusses his daughter's marriage at office, school reunion, bar, and home; routine continues and no single conversation determines the result.

    Action-causality disperses across similar everyday series, whose slight repetitions gradually form irreversible pressure.
  2. 02
    Another household becomes a foresight

    He visits his impoverished former teacher and sees him running a noodle shop with the unmarried daughter who stayed to care for him; their gestures and cramped space bring him to a pause.

    The everyday scene issues no command, yet makes Shūhei see a possible future for his own household.
  3. 03
    Completed action leaves empty time

    After his daughter appears in bridal dress, the wedding is passed over quickly; Shūhei drinks at a bar, returns home alone late at night, sits in the empty house, and weeps.

    Only after the marriage task is complete does a time of separation appear that action cannot cancel; the organizer becomes a viewer.
Atlas analysis · evidence classification unrecorded.
Reading attribution: Atlas editorial synthesis · Sources and locators

Close-reading questions

  1. 01
    How do the bar, empty house, and father's tears after the wedding let separation continue through the everyday rather than form a dramatic climax?
  2. 02
    How do repeated office, bar, and household spaces accumulate an irreversible time without turning it into a singular event?

Analysis and scene sources

Shots and scenes

Primary texts, scholarship, and locators

Theory coordinate: Cinema 2, ch. 1, pp. 14–15

  1. 01
    Cinema 2: The Time-Image

    Authoritative source for the standard translation, translators, ISBN, and publication date.

    Open the atlas source record →
Consult the primary-text locator above.

Viewing gateways and editions

  1. Verified complete Bilibili carrier: 小津安二郎 高分日影【秋刀鱼之味 (1962)】中文字幕bilibili.comOpen film page ↗
    Page access
    Accessible when checked
    Version extent
    Recorded as a complete version
    Source type
    User-uploaded page

    Edition note: Chinese subtitles · complete single-part film · 1:53:36.

    Link checked: 2026-08-13

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