Every resource records type, language, access status, and research use. Priority goes to original publishers, university archives, DOIs, peer-reviewed journals, film institutions, and rights holders. An accessible page is not automatically open access.
Four cinema seminar series from 1981 to 1985, with audio, French transcripts, English translations, summaries, and concept/person indexes—the central public infrastructure for studying the books in formation.
Enter the Purdue archiveA long-running community collection of seminars, works, cinema, and terminology. This atlas offers a curated page index and requires checks against French, Purdue, and published editions.
Open index and provenance rulesOpen issue marking forty years of Cinema 2 through death, genocide, archives, cities, and Global South cinema after 1985.
Read the full issueFour navigational axes form a research synthesis, not Deleuze’s fixed division: image and memory, sign taxonomy, time out of joint, truth and becoming.
Filter philosophical lineagesAthlone, Minnesota, Bloomsbury, French e-books, and Chinese translations do not share pagination. Formal citations should identify publisher, year, translators, and ISBN/format; this atlas also supplies chapter locators where possible.
Search authors, titles, languages, and uses. OA only retains resources explicitly available in full.
88 resources
| Resource | Type | Language / access | Research use | Link |
|---|---|---|---|---|
| L’Image-mouvement. Cinéma 1Gilles Deleuze · 1983 | Primary texts & editions | PurchaseFR | Official Minuit French edition with authoritative metadata, synopsis, contents, and terminology. | ↗ |
| L’Image-temps. Cinéma 2Gilles Deleuze · 1985 | Primary texts & editions | PurchaseFR | Official French source for the time-image’s synopsis, chapter architecture, and stable conceptual vocabulary. | ↗ |
| Cinéma 2 : L’image-temps — notice bibliographiqueBibliothèque nationale de France · 1985 | Primary texts & editions | CatalogFR | BnF record for verifying the original edition’s publication data and pagination. | ↗ |
| Cinema 1: The Movement-ImageGilles Deleuze; trans. Hugh Tomlinson & Barbara Habberjam · 1986 | Primary texts & editions | PurchaseEN | Standard Minnesota English translation and a principal citation edition in Anglophone scholarship. | ↗ |
| Cinema 2: The Time-ImageGilles Deleuze; trans. Hugh Tomlinson & Robert Galeta · 1989 | Primary texts & editions | PurchaseEN | Authoritative source for the standard translation, translators, ISBN, and publication date. | ↗ |
| Cinema I: The Movement-ImageGilles Deleuze · 2013 edition | Primary texts & editions | PreviewEN | Current Bloomsbury Revelations edition and e-book metadata; pagination must not be mixed with Minnesota. | ↗ |
| Cinema II: The Time-ImageGilles Deleuze · 2013 edition | Primary texts & editions | PreviewEN | Current reissue and e-book ISBN; citations should identify the exact format. | ↗ |
| The Deleuze Seminars — complete archivePurdue University / Charles J. Stivale et al. | Seminars & audio archives | OAFR / EN | University-maintained primary seminar archive with recordings, French transcripts, English translations, summaries, and session indexes. | ↗ |
| Cinema: The Movement-Image, 1981–1982Gilles Deleuze · 1981–82 | Seminars & audio archives | OAFR / EN | Traces the classroom formation of the Bergsonian and Peircean movement-image taxonomy. | ↗ |
| Cinema: The Classification of Signs and Time, 1982–1983Gilles Deleuze · 1982–83 | Seminars & audio archives | OAFR / EN | The middle terrain between the Cinema books, where classification begins to encounter time. | ↗ |
| Cinema, Truth and Time: The Falsifier, 1983–1984Gilles Deleuze · 1983–84 | Seminars & audio archives | OAFR / EN | Primary background for powers of the false, temporal crisis, Leibniz, Nietzsche, Welles, and the series of falsifiers. | ↗ |
| Cinema and Thought, 1984–1985Gilles Deleuze · 1984–85 | Seminars & audio archives | OAFR / EN | Primary classroom development of thought, the spiritual automaton, political cinema, body, and brain. | ↗ |
| Matter and MemoryHenri Bergson · 1896 / translation edition | Philosophical lineages | PurchaseEN | Foundational for the universe of images, perception, bodily interval, pure past, memory cone, and actual/virtual relations. | ↗ |
| BergsonismGilles Deleuze · 1966 | Philosophical lineages | PurchaseEN | Shows how Deleuze selectively reconstructs duration, memory, multiplicity, and virtuality. | ↗ |
| Henri BergsonStanford Encyclopedia of Philosophy | Philosophical lineages | OAEN | Peer-edited orientation and bibliography for checking secondary claims about Bergson. | ↗ |
| Peirce’s Theory of SignsStanford Encyclopedia of Philosophy | Philosophical lineages | OAEN | Reliable baseline for Firstness, Secondness, Thirdness, and sign relations—and for seeing what Deleuze transforms. | ↗ |
| Peirce Edition ProjectIndiana University Indianapolis | Philosophical lineages | OAEN | Authoritative critical-edition project and research gateway for Peirce’s writings. | ↗ |
| Kant’s Views on Space and TimeStanford Encyclopedia of Philosophy | Philosophical lineages | OAEN | Clarifies the Kantian problem behind time out of joint and prevents treating Deleuze’s formula as a Kant quotation. | ↗ |
| Kant: Synthesis and TimeGilles Deleuze | Seminars & audio archives | OAFR / EN | Deleuze’s own teaching on temporal synthesis and the emancipation of time from movement. | ↗ |
| Friedrich NietzscheStanford Encyclopedia of Philosophy | Philosophical lineages | OAEN | Reliable background on becoming, eternal recurrence, value, and critique of truth. | ↗ |
| Nietzsche and PhilosophyGilles Deleuze · 1962 | Philosophical lineages | PurchaseEN | Deleuze’s Nietzschean background for powers of the false, degrees of power, becoming, and value creation. | ↗ |
| Difference and RepetitionGilles Deleuze · 1968 | Philosophical lineages | PurchaseEN | Key bridge for the syntheses of time, actual/virtual, repetition, and image of thought; the nine-cell mapping is a later interpretation, not an explicit table in Deleuze. | ↗ |
| Gilles Deleuze’s Time MachineD. N. Rodowick · 1997 | Core scholarship | PurchaseEN | One of the earliest systematic English-language reconstructions of the philosophical architecture of both Cinema books. | ↗ |
| Deleuze on CinemaRonald Bogue · 2003 | Core scholarship | PreviewEN | One of the clearest and most widely used systematic guides to the taxonomy of images and signs. | ↗ |
| Gilles Deleuze: Cinema and PhilosophyPaola Marrati · 2008 / 2012 | Core scholarship | PurchaseEN | A concise study of cinema as autonomous thought and of the relations among world, subjectivity, and belief. | ↗ |
| The Brain Is the Screen: Deleuze and the Philosophy of CinemaGregory Flaxman, ed. · 2000 | Core scholarship | PurchaseEN | A foundational Anglophone collection that helped establish the field and includes an English translation of a Deleuze interview. | ↗ |
| Afterimages of Gilles Deleuze’s Film PhilosophyD. N. Rodowick, ed. · 2010 | Core scholarship | PurchaseEN | Extends the field into Kant, ethics, embodiment, sexuality, photography, digital time, and new media. | ↗ |
| Deleuze’s Cinema Books: Three Introductions to the Taxonomy of ImagesDavid Deamer · 2016 | Core scholarship | MixedEN | Detailed reconstruction with film index; this site explicitly marks the nine-cell grid and eleven film cases as Deamer’s later interpretation. | ↗ |
| Cineosis: Deleuze’s cinematic semiosisDavid Deamer · 2011 | Journals & open papers | PreviewEN | Peer-reviewed reconstruction of time-image semiosis through the three syntheses of time in Difference and Repetition. | ↗ |
| The Neuro-ImagePatricia Pisters · 2012 | Core scholarship | PreviewEN | One of the most influential post-time-image proposals, connecting brains, networks, memory, and digital screen culture. | ↗ |
| The Intensive-Image in Deleuze’s Film-PhilosophyCristóbal Escobar · 2023 | Core scholarship | PurchaseEN | Connects movement-image and time-image through intensity, directly intervening in the debate over rigid dualism. | ↗ |
| Death as Film-Philosophy’s MuseSusana Viegas · 2023 | Journals & open papers | OAEN | Establishes the death-image as a film-philosophical problem of time, finitude, and future nonexistence. | ↗ |
| Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985Nassif, Grosoli, Marques & Viegas, eds. · 2025 | Journals & open papers | OAEN / PT / ES | Open-access issue marking forty years of Cinema 2 through death, genocide, Kiarostami, Ceylan, archives, and Global South cinemas. | ↗ |
| Film-Philosophy JournalUniversity of Edinburgh Press | Journals & open papers | OAEN | Open-access journal central to film-philosophy, with ongoing work on Deleuze, time, death, embodiment, and digital images. | ↗ |
| 《有生命的影像：吉尔·德勒兹电影影像论研究》徐辉 · 2014 | Chinese-language resources | CatalogZH | Official Communication University of China publication record verifying the author, publisher, and scope of this Chinese-language systematic study. | ↗ |
| 《時間—影像：電影 II》繁体中文版吉尔·德勒兹；黄建宏译 · 2003 | Chinese-language resources | CatalogZH | Bibliographic gateway to the Traditional Chinese translation and Taiwanese terminology; pagination must be cited separately. | ↗ |
| 《電影 I：運動—影像》繁体中文版吉尔·德勒兹；黄建宏译 · 2003 | Chinese-language resources | CatalogZH | Translator’s bibliography page for checking edition, terminology, and publication data. | ↗ |
| Dork Zabunyan — publications and research profileUniversité Paris 8 / ESTCA | Core scholarship | CatalogFR | Official Paris 8 profile verifying Les Cinémas de Gilles Deleuze and Zabunyan’s film–philosophy research. | ↗ |
| Deleuze, philosophie et cinémaPierre Montebello · 2008 | Core scholarship | PurchaseFR | Official Vrin edition framing movement and time as the central encounter between cinematic and philosophical practices. | ↗ |
| Cinéma, subjectivité et aliénation chez DeleuzePierre Montebello | Journals & open papers | OAFR | Open French text hosted by a Toulouse university research team on cinema, subjectivity, and alienation. | ↗ |
| Deleuze au cinémaSerge Cardinal · 2010 | Core scholarship | PurchaseFR | Official Presses de l’Université Laval edition offering a Francophone study of image, sound, sensation, and thought. | ↗ |
| Deleuze : philosophie et cinémaSuzanne Hême de Lacotte · 2001 | Core scholarship | PurchaseFR | Official L’Harmattan page and excerpt for an early Francophone guide to the two Cinema books. | ↗ |
| Deleuze and Film: A Feminist IntroductionTeresa Rizzo · 2012 | Core scholarship | PurchaseEN | Book-length feminist study testing Deleuzian film concepts through spectatorship, bodies, and becoming. | ↗ |
| The Witch’s FlightKara Keeling · 2007 | Core scholarship | PurchaseEN | Duke University Press monograph extending and challenging Deleuzian cinematic perception through Black feminist and queer theory. | ↗ |
| Deleuze, Cinema and the Thought of the WorldAllan James Thomas · 2018 | Core scholarship | PurchaseEN | Reconstructs what cinema does for Deleuze’s philosophy through interval, duration, and the crystal-image. | ↗ |
| Untimely Affects: Gilles Deleuze and an Ethics of CinemaNadine Boljkovac · 2013 | Core scholarship | PreviewEN | Develops an ethics of cinema through Marker, Resnais, wartime memory, and affect; Cambridge Core provides summary and institutional access. | ↗ |
| Bodies in Suspense: Time and Affect in CinemaAlanna Thain · 2017 | Core scholarship | PurchaseEN | Official Minnesota edition treating bodies in postdigital cinema as generative surfaces of time and affect. | ↗ |
| Cinecepts, Deleuze, and Godard-MiévilleJakob Nilsson · 2025 | Core scholarship | PurchaseEN | Develops the cinecept as a framework for philosophy proceeding through film, video, and audiovisual media. | ↗ |
| Deleuze, Concepts, and Ideas about Film as PhilosophyJakob Nilsson · 2018 | Journals & open papers | OAEN | Open peer-reviewed article clarifying why cinematic blocks of movement/duration cannot simply be equated with philosophical concept creation. | ↗ |
| Deleuze, Digital Media and ThoughtTimothy Deane-Freeman · 2024 | Core scholarship | PurchaseEN | Brings the out-of-field, outside, information, noise, and control societies into the study of digital images. | ↗ |
| Gilles Deleuze’s Structuralist Cinema-WorldRoger Dawkins · 2025 / 2026 | Core scholarship | PurchaseEN | Derives a method for film and platform images from Deleuze’s transformed structuralism. | ↗ |
| Deleuze: el laberinto de la imagenPablo Enrique Abraham Zunino · 2020 | Core scholarship | OAES | Complete open Spanish-language monograph from Teseo Press; DOI 10.55778/ts877232585. | ↗ |
| André Parente — Cinema/Deleuze and N-ImagemUniversidade Federal do Rio de Janeiro | Core scholarship | CatalogPT | Official UFRJ profile verifying Parente’s Deleuze cinema work, Paris 8 background, and N-Imagem research node. | ↗ |
| 映像身体論宇野邦一 / Kuniichi Uno · 2008 | Core scholarship | PurchaseJA | Official Misuzu edition of a major Japanese study connecting body, image, cinema, and becoming. | ↗ |
| ドゥルーズの『シネマ』読解からみる哲学と映像檜垣立哉 / Tatsuya Higaki | Seminars & audio archives | PurchaseJA | Waseda extension-course gateway for a Japanese close reading of Cinema; availability should be checked against the access date. | ↗ |
| 木村建哉 — Deleuze cinema publicationsSeijo University | Core scholarship | CatalogJA | Official Seijo University record listing studies of cinematic image monism/dualism and the overall architecture of Cinema. | ↗ |
| ジル・ドゥルーズ『シネマ』における Croyance 概念の層構造戸澤幸作 / Kosaku Tozawa | Journals & open papers | OAJA | Author-record full text on Researchmap analyzing the layered concept of croyance in the Cinema books. | ↗ |
| 들뢰즈의 관객-이미지(들)과 그 현대적 확장이지영 / Ji-young Lee · 2022 | Journals & open papers | PreviewKO | KCI record on spectator-image and its extension into networks and contemporary image culture; DOI 10.21299/jovc.2022.41.3. | ↗ |
| 들뢰즈의 『시네마 II: 시간-이미지』 읽기이지영 / Ji-young Lee | Seminars & audio archives | PurchaseKO | Structured Korean course on Cinema 2; a paid teaching resource rather than an open scholarly text. | ↗ |
| Cinema: Journal of Philosophy and the Moving ImageIFILNOVA / NOVA University Lisbon | Journals & open papers | OAEN / FR / PT / ES | Multilingual open peer-reviewed IFILNOVA journal connecting film, philosophy, and non-Western thought. | ↗ |
| Gilles Deleuze and Moving Images — Cinema No. 6Susana Viegas, ed. · 2014 | Journals & open papers | OAEN / FR / PT | Complete open-access special issue on Deleuze and moving images; DOI 10.34619/p4bq-8a11. | ↗ |
| The Filmmaker as MetallurgistPatricia Pisters · 2016 | Journals & open papers | OAEN | University of Amsterdam repository PDF connecting Deleuze, metallurgical transformation, filmmaking, and thought. | ↗ |
| O cine-pensamento de Deleuze: contribuições a uma concepção estético-política da subjetividadeJuliane Tagliari Farina & Tania Mara Galli Fonseca · 2015 | Journals & open papers | OAPT | Open Portuguese SciELO article on cine-thought, aesthetic politics, and subjectivity; DOI 10.1590/0103-6564A20135213. | ↗ |
| 《德勒兹的电影思想》黄文达 / Huang Wenda · 2010 | Chinese-language resources | OAZH | Official East China Normal University journal PDF; DOI 10.16382/j.cnki.1000-5579.2010.05.010. | ↗ |
| 《德勒兹与巴迪欧电影理论比较研究——以文德斯〈虚假的运动〉为例》胡新宇 / Hu Xinyu · 2015 | Chinese-language resources | OAZH | Official journal PDF comparing Deleuze and Badiou through Wenders’s Wrong Move. | ↗ |
| 《影像间性的电影哲学——如何在智能时代思考影像》蓝江 / Lan Jiang | Chinese-language resources | OAZH | Open Nanjing University text connecting inter-imagery with image production in the intelligent-media era. | ↗ |
| 〈二（特異）點與一（抽象）線：德勒茲思想—影像或思想＝影像之條件及問題性〉楊凱麟 / Kailin Yang · 2006 | Chinese-language resources | OAZH | Full text on a National Taiwan University journal server; DOI 10.6258/bcla.2006.64.06, on thought-image, non-representation, and virtuality. | ↗ |
| 《后人类影像——探索一种后德勒兹的电影哲学》姜宇辉 / Jiang Yuhui · 2024 | Chinese-language resources | CatalogZH | Official ECNU book notice and author profile verifying its post-Deleuzian account of algorithmic images and the posthuman. | ↗ |
| 《深度伪造与电影之真：从时间—影像、神经—影像到辩证影像》姜宇辉 / Jiang Yuhui | Chinese-language resources | OAZH | Open ECNU article tracing truth across the time-image, neuro-image, and deepfakes. | ↗ |
| 《德勒兹，或喜悦的电影学》应雄 / Xiong Ying · 2025 | Chinese-language resources | CatalogZH | Official Hokkaido University page verifying this systematic and critical Chinese-language study. | ↗ |
| Deleuze and Guattari StudiesEdinburgh University Press | Journals & open papers | PreviewEN | Core field journal and title history: Deleuze Studies from 2007–2017, renamed in 2018; most content requires subscription. | ↗ |
| Deleuze / Guattari Studies in AsiaUniversity of Tokyo Center for Philosophy | Seminars & audio archives | CatalogEN / JA / multilingual | Official University of Tokyo conference page documenting the itinerant Asian network; it includes film work but is not a cinema-only association. | ↗ |
| Deleuze and Guattari Studies in India CollectiveDGSIC | Seminars & audio archives | CatalogEN / multilingual | Gateway to an Indian voluntary scholarly collective’s conferences and camps across film, art, and postcolonial topics; not represented as a university centre. | ↗ |
| Gilles Deleuze : usages contemporains d’une pensée du cinémaUniversité Paris 8 / ESTCA / LLCP · 2025 | Seminars & audio archives | OAFR | Open Paris 8 centenary-colloquium programme mapping contemporary Francophone uses of Deleuzian cinema thought. | ↗ |
| IFILNOVA — Cinema journal research nodeInstitute of Philosophy of NOVA University Lisbon | Seminars & audio archives | CatalogEN / PT | Institutional description of Cinema journal and its open digital-library setting at NOVA’s Institute of Philosophy. | ↗ |
| N-Imagem / UFRJAndré Parente / Universidade Federal do Rio de Janeiro | Seminars & audio archives | CatalogPT | Brazilian film, video, and new-media research node; official page verifies its 1991 founding and Deleuze-related publications. | ↗ |
| Filosofia e Cinema — UFF research projectJorge Vasconcellos / Universidade Federal Fluminense | Seminars & audio archives | CatalogPT | Official UFF project connecting cinema, philosophy, education, and Lusophone Deleuze research. | ↗ |
| 德勒兹汉化 Deleuze SeminarsCommunity translation index | Chinese-language resources | MixedZH / FR | Community index of Chinese seminar translations; not peer reviewed and must be checked against the French recordings and Purdue transcripts. | ↗ |
| The Mirror — full filmAndrei Tarkovsky / Mosfilm Cinema Concern · 1974 production / 1975 release | Legal moving-image gateways | OARU / EN subtitles | Complete film on Mosfilm’s official English channel; free access does not imply public-domain or open licensing and may be region-restricted. | ↗ |
| Solaris — full filmAndrei Tarkovsky / Mosfilm Cinema Concern · 1972 | Legal moving-image gateways | OARU / EN subtitles | Complete film on Mosfilm’s official English channel; the free stream remains subject to copyright and regional availability. | ↗ |
| Pour la suite du monde — English versionPierre Perrault & Michel Brault / National Film Board of Canada · 1962 production / 1963 release | Legal moving-image gateways | OAFR / EN | Complete official NFB stream; rental and purchase options concern additional downloads or licensing, not the free on-site player. | ↗ |
| Les raquetteursGilles Groulx & Michel Brault / National Film Board of Canada · 1958 | Legal moving-image gateways | OAFR | Complete official NFB short-film stream, identified by the institution as an important precursor of direct cinema. | ↗ |
| Hiroshima mon amourAlain Resnais / The Criterion Collection · 1959 | Legal moving-image gateways | PurchaseFR / JA / EN | Authorized Criterion release page with film metadata and physical/digital options; not a free full-film stream. | ↗ |
| Jeanne Dielman, 23, quai du Commerce, 1080 BruxellesChantal Akerman / The Criterion Collection · 1975 | Legal moving-image gateways | PurchaseFR / EN | Official Criterion restoration and authorized release gateway for runtime, edition, and legal viewing options. | ↗ |
| F for FakeOrson Welles / The Criterion Collection · 1973 production / 1975 release | Legal moving-image gateways | PurchaseEN / FR | Authorized Criterion release directly relevant to powers of the false and the series of falsifiers; it does not offer the complete film free. | ↗ |
| Film and Philosophy After DeleuzeThomas Elsaesser / IKKM Weimar · 2011 | Legal moving-image gateways | OAEN | Official IKKM Weimar lecture video on the changing relation between film and philosophy after Deleuze. | ↗ |
| Signs of Time: Cerebral Metaphysics of the Neuro-ImagePatricia Pisters / IKKM Weimar · 2010 | Legal moving-image gateways | OAEN | Official IKKM lecture directly addressing time, signs, Deleuze, and the neuro-image. | ↗ |
| Gilles Deleuze à la FEMIS — excerptInstitut national de l’audiovisuel · 1996 broadcast record | Legal moving-image gateways | PreviewFR | A 1:18 excerpt preserved by France’s audiovisual institute; correctly marked as a preview, not the complete What Is the Creative Act? lecture. | ↗ |