[
  {
    "id": "book-aesthetics-sensation-original-english",
    "type": "book",
    "title": "Deleuze and Cinema: The Aesthetics of Sensation",
    "author": [
      {
        "literal": "Barbara M. Kennedy"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2000
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9780748611348",
    "URL": "https://academic.oup.com/edinburgh-scholarship-online/book/13724",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: preview; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-afterimages-original-english",
    "type": "book",
    "title": "Afterimages of Gilles Deleuze’s Film Philosophy",
    "editor": [
      {
        "literal": "D. N. Rodowick"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2010
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816650071",
    "URL": "https://www.upress.umn.edu/9780816650071/afterimages-of-gilles-deleuzes-film-philosophy/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-altered-states-original-english",
    "type": "book",
    "title": "Deleuze, Altered States and Film",
    "author": [
      {
        "literal": "Anna Powell"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2007
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9780748632824",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-altered-states-and-film.html",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-body-creation-han-original-simplified-chinese",
    "type": "book",
    "title": "《吉尔·德勒兹身体创造学研究》",
    "author": [
      {
        "literal": "韩桂玲 / Han Guiling"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2011
        ]
      ]
    },
    "publisher": "南京师范大学出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787565102110",
    "URL": "https://webpac.tongji.edu.cn/opac/show_user_shelf.php?classid=0000013764",
    "abstract": "The original is in Simplified Chinese. The colophon gives an August 2011 first edition and printing, while CIP data reads 2010.8. As of 2026-08-14, no published full foreign-language translation or authorized full-book OA was located.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-bogue-cinema-original-english",
    "type": "book",
    "title": "Deleuze on Cinema",
    "author": [
      {
        "literal": "Ronald Bogue"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "publisher": "Routledge",
    "language": "English",
    "ISBN": "9780415966047",
    "URL": "https://www.routledge.com/Deleuze-on-Cinema-1st-Edition/Bogue/p/book/9780429238550",
    "abstract": "A Simplified Chinese translation was published in 2025. No verifiable published Traditional Chinese edition was located.",
    "note": "Access: preview; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-bogue-cinema-translation-1-simplified-chinese",
    "type": "book",
    "title": "《德勒兹论电影》",
    "author": [
      {
        "literal": "Ronald Bogue"
      }
    ],
    "translator": [
      {
        "literal": "田争争"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2025
        ]
      ]
    },
    "publisher": "南京大学出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787305284915",
    "URL": "https://opac.sta.edu.cn/book/307447",
    "abstract": "A Simplified Chinese translation was published in 2025. No verifiable published Traditional Chinese edition was located.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-brain-screen-original-english",
    "type": "book",
    "title": "The Brain Is the Screen: Deleuze and the Philosophy of Cinema",
    "editor": [
      {
        "literal": "Gregory Flaxman"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2000
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816634477",
    "URL": "https://www.upress.umn.edu/9780816634477/brain-is-the-screen/",
    "abstract": "The work is in English. The Chinese phrase ‘the brain is the screen’ also names Deleuze’s interview and does not establish a translated edition of the collection.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-1-original-french",
    "type": "book",
    "title": "L’Image-mouvement. Cinéma 1",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1983
        ]
      ]
    },
    "publisher": "Les Éditions de Minuit",
    "language": "French",
    "ISBN": "9782707306593",
    "URL": "https://www.leseditionsdeminuit.fr/livre-L%E2%80%99Image_mouvement._Cin%C3%A9ma_1-2017-1-1-0-1.html",
    "abstract": "The French original, standard English translation, and published Simplified and Traditional Chinese translations are verified.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-1-translation-1-english",
    "type": "book",
    "title": "Cinema 1: The Movement-Image",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "Hugh Tomlinson"
      },
      {
        "literal": "Barbara Habberjam"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1986
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816614004",
    "URL": "https://www.upress.umn.edu/9780816614004/cinema-1/",
    "abstract": "The French original, standard English translation, and published Simplified and Traditional Chinese translations are verified.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-1-translation-2-simplified-chinese",
    "type": "book",
    "title": "《运动—影像／电影1》",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "谢强"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2016
        ]
      ]
    },
    "publisher": "湖南美术出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787535671660",
    "URL": "https://libopac.zust.edu.cn/Book.aspx?id=0116568607",
    "abstract": "The French original, standard English translation, and published Simplified and Traditional Chinese translations are verified.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-1-translation-3-traditional-chinese",
    "type": "book",
    "title": "《電影 I：運動－影像》",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "黃建宏"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "publisher": "遠流出版",
    "language": "Traditional Chinese",
    "ISBN": "9789573250180",
    "URL": "https://www.taaze.tw/products/11100346224.html",
    "abstract": "The French original, standard English translation, and published Simplified and Traditional Chinese translations are verified.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-2-original-french",
    "type": "book",
    "title": "L’Image-temps. Cinéma 2",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1985
        ]
      ]
    },
    "publisher": "Les Éditions de Minuit",
    "language": "French",
    "ISBN": "9782707310477",
    "URL": "https://www.leseditionsdeminuit.fr/livre-L%E2%80%99Image_temps._Cin%C3%A9ma_2-2018-1-1-0-1.html",
    "abstract": "The 1989 English edition translates the 1985 French original.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-2-translation-1-english",
    "type": "book",
    "title": "Cinema 2: The Time-Image",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "Hugh Tomlinson"
      },
      {
        "literal": "Robert Galeta"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1989
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816616770",
    "URL": "https://www.upress.umn.edu/9780816616770/cinema-2/",
    "abstract": "The 1989 English edition translates the 1985 French original.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-2-translation-2-simplified-chinese",
    "type": "book",
    "title": "《时间—影像：电影2》",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "谢强；蔡若明；马月"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2004
        ]
      ]
    },
    "publisher": "湖南美术出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787535621085",
    "URL": "https://hotbook.nbt.edu.cn/nbt/?id=81309&what=detail",
    "abstract": "The 1989 English edition translates the 1985 French original.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-2-translation-3-traditional-chinese",
    "type": "book",
    "title": "《電影 II：時間－影像》",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "黃建宏"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "publisher": "遠流出版",
    "language": "Traditional Chinese",
    "ISBN": "9789573250197",
    "URL": "https://www4.puiching.edu.mo/slsbin2026/kidsopac.exe?act=FS&arg1=987+JON&arg1ex=&arg2=&csc=t&dbc=&encode=BIG5&ffn=20251025000445KzP04tPW2KzP0.flg&hpg=1&idx=idxid4&lact=HS&lan=all&lang=0&loc=all&mat=all&pbr=all&pby=all&psc=&rcn=ANIt&sidx=1&type=ce",
    "abstract": "The 1989 English edition translates the 1985 French original.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-after-deleuze-original-english",
    "type": "book",
    "title": "Cinema After Deleuze",
    "author": [
      {
        "literal": "Richard Rushton"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2012
        ]
      ]
    },
    "publisher": "Continuum",
    "language": "English",
    "ISBN": "9780826438928",
    "URL": "https://www.bloomsbury.com/us/cinema-after-deleuze-9781441182883/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinema-books-taxonomy-original-english",
    "type": "book",
    "title": "Deleuze’s Cinema Books: Three Introductions to the Taxonomy of Images",
    "author": [
      {
        "literal": "David Deamer"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2016
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9781474407687",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-s-cinema-books.html",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinemas-performance-original-english",
    "type": "book",
    "title": "Deleuze and the Cinemas of Performance: Powers of Affection",
    "author": [
      {
        "literal": "Elena del Río"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2008
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9780748635252",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-and-the-cinemas-of-performance.html",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinematic-body-original-english",
    "type": "book",
    "title": "The Cinematic Body",
    "author": [
      {
        "literal": "Steven Shaviro"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1993
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816622948 / 9780816622931 / 9780816685271 / 9781452902494",
    "URL": "https://www.upress.umn.edu/9780816622948/cinematic-body/",
    "abstract": "Paperback, hardcover, and two eBook ISBNs for the English original are verified; a published Portuguese translation appeared in 2015. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-cinematic-body-translation-1-portuguese-brazil",
    "type": "book",
    "title": "O corpo cinemático",
    "author": [
      {
        "literal": "Steven Shaviro"
      }
    ],
    "translator": [
      {
        "literal": "Anna Carolina Negrini Fagundes Martino"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2015
        ]
      ]
    },
    "publisher": "PAULUS",
    "language": "Portuguese (Brazil)",
    "ISBN": "9788534941365",
    "URL": "https://www.paulus.com.br/portal/releases/obra-da-paulus-critica-modelo-sobre-teoria-e-estudo-de-filmes/",
    "abstract": "Paperback, hardcover, and two eBook ISBNs for the English original are verified; a published Portuguese translation appeared in 2015. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-concetti-cinema-original-italian",
    "type": "book",
    "title": "Deleuze e i concetti del cinema",
    "author": [
      {
        "literal": "Daniela Angelucci"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2012
        ]
      ]
    },
    "publisher": "Quodlibet",
    "language": "Italian",
    "ISBN": "9788874624744",
    "URL": "https://iris.uniroma3.it/handle/11590/186796",
    "abstract": "The Roma Tre repository supplies metadata but no full-text file.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-concetti-cinema-translation-1-english",
    "type": "book",
    "title": "Deleuze and the Concepts of Cinema",
    "author": [
      {
        "literal": "Daniela Angelucci"
      }
    ],
    "translator": [
      {
        "literal": "Sarin Marchetti"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2014
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9780748697731",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-and-the-concepts-of-cinema-pb.html",
    "abstract": "The Roma Tre repository supplies metadata but no full-text file.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-deleuze-film-collection-original-english",
    "type": "book",
    "title": "Deleuze and Film",
    "editor": [
      {
        "literal": "David Martin-Jones"
      },
      {
        "literal": "William Brown"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2012
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9780748641208",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-and-film.html",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-deleuze-time-machine-original-english",
    "type": "book",
    "title": "Gilles Deleuze’s Time Machine",
    "author": [
      {
        "literal": "D. N. Rodowick"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1997
        ]
      ]
    },
    "publisher": "Duke University Press",
    "language": "English",
    "ISBN": "9780822319702 / 9780822319627 / 9780822396871",
    "URL": "https://www.jstor.org/stable/j.ctv1134f6c",
    "abstract": "The English original has paperback, hardcover, and eBook ISBNs 9780822319702, 9780822319627, and 9780822396871; a Turkish translation was published in 2018. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: preview; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-deleuze-time-machine-translation-1-turkish",
    "type": "book",
    "title": "Gilles Deleuze’ün Zaman Makinesi",
    "author": [
      {
        "literal": "D. N. Rodowick"
      }
    ],
    "translator": [
      {
        "literal": "Ekrem Ekici"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2018
        ]
      ]
    },
    "publisher": "Küre Yayınları",
    "language": "Turkish",
    "ISBN": "9786059125765",
    "URL": "https://www.kureyayinlari.com/Kitap/3246/gilles_deleuze_un_zaman_makinesi",
    "abstract": "The English original has paperback, hardcover, and eBook ISBNs 9780822319702, 9780822319627, and 9780822396871; a Turkish translation was published in 2018. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-difference-repetition-original-french",
    "type": "book",
    "title": "Différence et répétition",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1968
        ]
      ]
    },
    "publisher": "Presses Universitaires de France",
    "language": "French",
    "URL": "https://search.worldcat.org/search?q=ti%3ADiff%C3%A9rence+et+r%C3%A9p%C3%A9tition+au%3ADeleuze",
    "abstract": "First published in French in 1968; translated into English by Paul Patton in 1994.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-difference-repetition-translation-1-english",
    "type": "book",
    "title": "Difference and Repetition",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "Paul Patton"
      }
    ],
    "publisher": "Columbia University Press",
    "language": "English",
    "ISBN": "9780231081580 / 9780231081597",
    "URL": "https://cup.columbia.edu/book/difference-and-repetition/9780231081580/",
    "abstract": "First published in French in 1968; translated into English by Paul Patton in 1994.",
    "note": "Date as recorded: 1994 / 1995. Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-difference-repetition-translation-2-simplified-chinese",
    "type": "book",
    "title": "《差异与重复》",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "安靖；张子岳"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2019
        ]
      ]
    },
    "publisher": "华东师范大学出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787567591363",
    "URL": "https://book.douban.com/subject/33427962/",
    "abstract": "First published in French in 1968; translated into English by Paul Patton in 1994.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-difference-repetition-translation-3-traditional-chinese",
    "type": "book",
    "title": "《差異與重複》",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "translator": [
      {
        "literal": "江薦新；廖芊喬"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2019
        ]
      ]
    },
    "publisher": "野人文化",
    "language": "Traditional Chinese",
    "ISBN": "9789863843825",
    "URL": "https://isbn.ncl.edu.tw/NEW_ISBNNet/main_DisplayRecord_Popup.php?KeepThis=true&Pact=ShowDataBlock&Pkey=1080910%2A0027&TB_iframe=true&height=400&width=500",
    "abstract": "First published in French in 1968; translated into English by Paul Patton in 1994.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "book-documentary-time-original-english",
    "type": "book",
    "title": "Documentary Time: Film and Phenomenology",
    "author": [
      {
        "literal": "Malin Wahlberg"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2008
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816649693",
    "URL": "https://www.upress.umn.edu/9780816649693/documentary-time/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-dreams-difference-original-english",
    "type": "book",
    "title": "Dreams of Difference, Songs of the Same: The Musical Moment in Film",
    "author": [
      {
        "literal": "Amy Herzog"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2010
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816660889",
    "URL": "https://www.upress.umn.edu/9780816660889/dreams-of-difference-songs-of-the-same/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-film-concepts-original-english",
    "type": "book",
    "title": "Deleuze and Cinema: The Film Concepts",
    "author": [
      {
        "literal": "Felicity Colman"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2011
        ]
      ]
    },
    "publisher": "Berg",
    "language": "English",
    "ISBN": "9781847880536",
    "URL": "https://www.bloomsbury.com/uk/deleuze-and-cinema-9781847887702/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-film-fables-original-french",
    "type": "book",
    "title": "La Fable cinématographique",
    "author": [
      {
        "literal": "Jacques Rancière"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2001
        ]
      ]
    },
    "publisher": "Éditions du Seuil",
    "language": "French",
    "ISBN": "9782020510530",
    "URL": "https://www.bloomsbury.com/ca/film-fables-9781474270809/",
    "abstract": "The French original appeared in 2001; Film Fables is Emiliano Battista’s English translation.",
    "note": "Access: preview; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-film-fables-translation-1-english",
    "type": "book",
    "title": "Film Fables",
    "author": [
      {
        "literal": "Jacques Rancière"
      }
    ],
    "translator": [
      {
        "literal": "Emiliano Battista"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2006
        ]
      ]
    },
    "publisher": "Berg",
    "language": "English",
    "ISBN": "9781845201685",
    "URL": "https://www.bloomsbury.com/uk/film-fables-9781845201685/",
    "abstract": "The French original appeared in 2001; Film Fables is Emiliano Battista’s English translation.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-film-fables-translation-2-traditional-chinese",
    "type": "book",
    "title": "《電影寓言》",
    "author": [
      {
        "literal": "Jacques Rancière"
      }
    ],
    "translator": [
      {
        "literal": "謝淳清"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2025
        ]
      ]
    },
    "publisher": "典藏藝術家庭",
    "language": "Traditional Chinese",
    "ISBN": "9786267430354",
    "URL": "https://isbn.ncl.edu.tw/NEW_ISBNNet/main_DisplayRecord_Popup.php?Pact=view&Pkey=1140206%2A0038",
    "abstract": "The French original appeared in 2001; Film Fables is Emiliano Battista’s English translation.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "book-film-fables-translation-3-simplified-chinese",
    "type": "book",
    "title": "《电影寓言》",
    "author": [
      {
        "literal": "Jacques Rancière"
      }
    ],
    "translator": [
      {
        "literal": "钟立"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2026
        ]
      ]
    },
    "publisher": "上海文艺出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787532182121",
    "URL": "http://opac.sta.edu.cn/book/311725",
    "abstract": "The French original appeared in 2001; Film Fables is Emiliano Battista’s English translation.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-imagen-no-tiempo-original-spanish",
    "type": "book",
    "title": "Hacia una imagen no-tiempo: Deleuze y el cine contemporáneo",
    "author": [
      {
        "literal": "Sergi Sánchez"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2013
        ]
      ]
    },
    "publisher": "Universidad de Oviedo",
    "language": "Spanish",
    "ISBN": "9788483179789",
    "URL": "https://digibuo.uniovi.es/dspace/bitstream/handle/10651/69691/Hacia%20una%20imagen%20web.pdf?isAllowed=y&sequence=3",
    "abstract": "The open file is the official 2022 edition of the same work, ISBN 9788418324451. Cite it as the 2022 edition.",
    "note": "Access: full-text; source: web-host; rights: explicit-open-license."
  },
  {
    "id": "book-intensive-image-original-english",
    "type": "book",
    "title": "The Intensive-Image in Deleuze’s Film-Philosophy",
    "author": [
      {
        "literal": "Cristóbal Escobar"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2023
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9781399517539",
    "URL": "https://edinburghuniversitypress.com/book-the-intensive-image-in-deleuze-s-film-philosophy.html",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-living-images-xu-original-simplified-chinese",
    "type": "book",
    "title": "《有生命的影像：吉尔·德勒兹电影影像论研究》",
    "author": [
      {
        "literal": "徐辉 / Xu Hui"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2014
        ]
      ]
    },
    "publisher": "北京大学出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787301243565",
    "URL": "https://www.airitibooks.com/Publication/Details?publicationID=P202206161601",
    "abstract": "The original is in Simplified Chinese. Gilles Deleuze on Cinema Image is a parallel English title, not an English translation. No published foreign-language or Traditional Chinese edition, or open full book, was located.",
    "note": "Access: preview; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "book-marrati-cinema-original-french",
    "type": "book",
    "title": "Gilles Deleuze : cinéma et philosophie",
    "author": [
      {
        "literal": "Paola Marrati"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "publisher": "Presses Universitaires de France",
    "language": "French",
    "ISBN": "9782130524434",
    "URL": "https://www.press.jhu.edu/books/title/9091/gilles-deleuze",
    "abstract": "The French original appeared in 2003. The English hardback appeared in 2008 and the paperback in 2012. The Spanish translation is generally catalogued as 2004, with some records giving 2003.",
    "note": "Access: preview; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-marrati-cinema-translation-1-english",
    "type": "book",
    "title": "Gilles Deleuze: Cinema and Philosophy",
    "author": [
      {
        "literal": "Paola Marrati"
      }
    ],
    "translator": [
      {
        "literal": "Alisa Hartz"
      }
    ],
    "publisher": "Johns Hopkins University Press",
    "language": "English",
    "ISBN": "9780801888021 / 9781421407913",
    "URL": "https://www.press.jhu.edu/books/title/9091/gilles-deleuze",
    "abstract": "The French original appeared in 2003. The English hardback appeared in 2008 and the paperback in 2012. The Spanish translation is generally catalogued as 2004, with some records giving 2003.",
    "note": "Date as recorded: 2008 / 2012. Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-marrati-cinema-translation-2-spanish",
    "type": "book",
    "title": "Gilles Deleuze: Cine y filosofía",
    "author": [
      {
        "literal": "Paola Marrati"
      }
    ],
    "translator": [
      {
        "literal": "Emilio Bernini"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2004
        ]
      ]
    },
    "publisher": "Nueva Visión",
    "language": "Spanish",
    "ISBN": "9789506024819",
    "URL": "https://www.arte.unicen.edu.ar/cdab/libros/gilles-deleuze-cine-y-filosofia-2/",
    "abstract": "The French original appeared in 2003. The English hardback appeared in 2008 and the paperback in 2012. The Spanish translation is generally catalogued as 2004, with some records giving 2003.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "book-national-identity-original-english",
    "type": "book",
    "title": "Deleuze, Cinema and National Identity: Narrative Time in National Contexts",
    "author": [
      {
        "literal": "David Martin-Jones"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2006
        ]
      ]
    },
    "publisher": "Edinburgh University Press",
    "language": "English",
    "ISBN": "9780748622443",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-cinema-and-national-identity.html",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-neuro-image-original-english",
    "type": "book",
    "title": "The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture",
    "author": [
      {
        "literal": "Patricia Pisters"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2012
        ]
      ]
    },
    "publisher": "Stanford University Press",
    "language": "English",
    "ISBN": "9780804781367",
    "URL": "https://www.sup.org/books/media-studies/neuro-image",
    "abstract": "The author and press provide the introduction, not the complete book. No published Chinese translation was located.",
    "note": "Access: preview; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-photography-cinema-memory-original-english",
    "type": "book",
    "title": "Photography, Cinema, Memory: The Crystal Image of Time",
    "author": [
      {
        "literal": "Damian Sutton"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2009
        ]
      ]
    },
    "publisher": "University of Minnesota Press",
    "language": "English",
    "ISBN": "9780816647392",
    "URL": "https://www.upress.umn.edu/9780816647392/photography-cinema-memory/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "book-poetics-intertwinement-qin-original-simplified-chinese",
    "type": "book",
    "title": "《缠绕的诗学：德勒兹思维方法研究》",
    "author": [
      {
        "literal": "秦兰珺 / Qin Lanjun"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2017
        ]
      ]
    },
    "publisher": "中国文联出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787519024956",
    "URL": "https://search.worldcat.org/pt/title/%3A-The-poetics-of-intertwinement-%3A-study-on-Deleuze%27s-way-of-thinking/oclc/1273522851",
    "abstract": "The original is in Simplified Chinese. The Poetics of Intertwinement is a parallel English title, not an English translation; as of 2026-08-14, no published full foreign-language translation or authorized full-book OA was located.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-posthuman-image-jiang-original-simplified-chinese",
    "type": "book",
    "title": "《后人类影像：探索一种后德勒兹的电影哲学》",
    "author": [
      {
        "literal": "姜宇辉 / Jiang Yuhui"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2024
        ]
      ]
    },
    "publisher": "上海人民出版社",
    "language": "Simplified Chinese",
    "ISBN": "9787208190122",
    "URL": "https://polis.ecnu.edu.cn/a/1220?m2=31",
    "abstract": "The original is in Simplified Chinese. No published foreign-language or Traditional Chinese edition was located.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "book-skin-film-original-english",
    "type": "book",
    "title": "The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses",
    "author": [
      {
        "literal": "Laura U. Marks"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2000
        ]
      ]
    },
    "publisher": "Duke University Press",
    "language": "English",
    "ISBN": "9780822323914",
    "URL": "https://openlibrary.org/books/OL29605445M/Skin_of_the_Film",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: preview; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "book-world-cinemas-original-english",
    "type": "book",
    "title": "Deleuze and World Cinemas",
    "author": [
      {
        "literal": "David Martin-Jones"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2011
        ]
      ]
    },
    "publisher": "Continuum",
    "language": "English",
    "ISBN": "9780826436429",
    "URL": "https://www.bloomsbury.com/uk/deleuze-and-world-cinemas-9781441102201/",
    "abstract": "The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.",
    "note": "Access: metadata-only; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "corpus-zh-abc-work",
    "type": "webpage",
    "title": "《吉勒·德勒兹字母表：与克莱尔·帕尔奈的访谈》",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR",
    "URL": "https://stiegler.notion.site/8d30244808474084a796d6412ae9df28",
    "abstract": "An alphabetized interview gateway for conceptual side routes and spoken context. The books supply definitions; subtitles and names are checked against the French video.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-anti-oedipus-1",
    "type": "webpage",
    "title": "反俄狄浦斯 I：流的逻辑",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/399609c69d81412486d15615b2aceb98",
    "abstract": "Provides seminar context for desiring-production, flows, breaks, and social machines. Film analysis focuses on how image assemblages produce subjects.",
    "note": "Date as recorded: 1971–1972. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-anti-oedipus-2",
    "type": "webpage",
    "title": "反俄狄浦斯 II",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f801db53cd61088d229dd",
    "abstract": "Continues desire, social coding, and subjectivation through bodies, speech, and assemblages. Concepts brought into Cinema research are marked as cross-text transfers.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-anti-oedipus-3",
    "type": "webpage",
    "title": "反俄狄浦斯 III",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/bd57c145f643473f865bae80145c90f5",
    "abstract": "Carries the Anti-Oedipus seminar cluster toward assemblage, territory, and collective enunciation. Cinematic applications are marked as theoretical transfers, distinct from Cinema 2 categories.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-anti-oedipus-reflections",
    "type": "webpage",
    "title": "反俄狄浦斯及其他反思",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f802fad15f013d29b58ad",
    "abstract": "Connects post-Anti-Oedipus conceptual revisions and teaching reflections, marking shifts in Deleuze–Guattari terminology over time.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-bergson-seminar",
    "type": "webpage",
    "title": "柏格森",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f80dda18ddf633361ce23",
    "abstract": "Returns to the philosophical basis of duration, memory, actual/virtual, and coexistence of the past. Terminology is checked against Bergson while tracing Deleuze’s transformation of it in cinema.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-bergsonism-work",
    "type": "webpage",
    "title": "《柏格森主义》，安靖译，上海人民出版社，2023 年",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR",
    "URL": "https://stiegler.notion.site/4271373bc7ab438f86549ee2e16c41a9",
    "abstract": "An important bibliographic gateway for checking duration, memory, actual/virtual, and multiplicity. Page-level availability leaves copyright unchanged; formal citations should use a verifiable edition and publisher metadata.",
    "note": "Date as recorded: original: 1966; cited Chinese edition: 2023. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-1-reading",
    "type": "webpage",
    "title": "《电影 1：运动－图像》（CINÉMA I: L’IMAGE-MOUVEMENT）",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/1d3d04f346174584b46b36a43f235e4c",
    "abstract": "Chapter-organized community reading gateway comparing French, English, and Chinese versions. Pagination identifies the cited edition.",
    "note": "Date as recorded: book: 1983; Notion page created: 2021-05-18. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-2-reading",
    "type": "webpage",
    "title": "《电影 2：时间－图象》（Cinéma II: l’Image-temps）",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/0f335b936f9f4eb9b24172723f3ffa29",
    "abstract": "Compares French, English, and several Chinese renderings and includes compiler tools and commentary. Citations distinguish primary text, translation, and secondary synthesis.",
    "note": "Date as recorded: book: 1985; Notion page created: 2021-06-05. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-classification-seminar",
    "type": "webpage",
    "title": "电影：符号的分类与时间",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "Connects movement-image taxonomy to time and traces Deleuze’s transformation of Peircean terms. The source page combines seminar transcripts and compiler commentary, cited separately.",
    "note": "Date as recorded: 1982–1983. Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-falsifier-seminar",
    "type": "webpage",
    "title": "电影、真相和时间：伪造者",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "A central time-image series linking the crisis of truth, crystalline formation, chains of falsifiers, and powers of the false. Citations identify the session date and recording or Purdue transcript.",
    "note": "Date as recorded: 1983-11-08 — 1984-06-12. Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-hub",
    "type": "webpage",
    "title": "德勒兹看电影",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/8425ebc45c2a4dbcbefdef9892fecb66",
    "abstract": "Cinema sub-hub linking both Cinema volumes and pages on Ozu and Duras. The 1976–1989 label marks the material range; each seminar series has separate dates.",
    "note": "Date as recorded: page label: 1976–1989. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-movement-seminar",
    "type": "webpage",
    "title": "电影：运动-图象",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "Develops the movement-image through Bergson, Peirce, and cinematic classification, supplying the genetic conditions for the time-image’s break.",
    "note": "Date as recorded: 1981–1982. Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-cinema-thought-seminar",
    "type": "webpage",
    "title": "论电影：思想-图象（Sur le cinéma : l'image-pensée）",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "Moves from rational/irrational cuts and temporal series/orders toward speech acts, audiovisual relations, and thought’s powerlessness. The page currently foregrounds the 5 March 1985 session; translation coverage follows the material displayed there.",
    "note": "Date as recorded: 1984–1985. Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-deleuze-dictionary",
    "type": "entry-dictionary",
    "title": "德勒兹词典",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/c3384a34776e46eeb0365a5354aede9a",
    "abstract": "The local 2026-05-10 catalog snapshot records 668 entries for term discovery and variant tracking. The atlas glossary separately records the French term, major Chinese variants, atlas term, rationale, edition sources, and conceptual scope.",
    "note": "Date as recorded: local catalog snapshot: 2026-05-10. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-deleuze-root",
    "type": "webpage",
    "title": "德勒兹汉化 Deleuze seminars",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/Deleuze-seminars-6cd73f9606394f0eb10642479a536b68",
    "abstract": "Corpus-wide discovery gateway. Citations resolve to a specific page and primary archive.",
    "note": "Access: mixed; source: community-host; rights: not-independently-verified."
  },
  {
    "id": "corpus-zh-difference-repetition-work",
    "type": "webpage",
    "title": "《差异与重复》（Différence et répétition）",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR",
    "URL": "https://stiegler.notion.site/9f4c6afffa814243a26232b4d4473269",
    "abstract": "A primary route into difference, repetition, syntheses, the virtual, and forced thought. Cinematic applications are marked as genealogy or methodological extension and specify differential relations in repeated shots.",
    "note": "Date as recorded: original: 1968; indexed edition label: 2015. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-duras-essay",
    "type": "webpage",
    "title": "论玛格希特・杜拉斯的电影",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/9b5f15acce1544dcaf60f275011345fb",
    "abstract": "A key page for audiovisual disjunction, speech acts, emptied places, and incommensurable relations. Cross-check with Cinema 2 chapter 9 and specific shots; voice-over enters the analysis through its audiovisual relations.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-foucault-seminar",
    "type": "webpage",
    "title": "福柯",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "A key gateway for the visible and sayable, diagrams, strata, and subjectivation. It deepens audiovisual disjunction while keeping visible/sayable distinct from image/dialogue.",
    "note": "Date as recorded: 1985–1986. Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-grounding-seminar",
    "type": "webpage",
    "title": "何谓奠基（What is Grounding?），1956–1957，路易大帝中学预科班",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/What-is-Grounding-1956-1957-hypokh-gne-Louis-le-Grand-3ac5a09f4b5f817b92fbffe85918287f",
    "abstract": "Supplies early teaching context on grounding, reason, and problems and traces the formation behind later problematics and concept creation.",
    "note": "Date as recorded: 1956–1957. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-kant-time",
    "type": "webpage",
    "title": "康德：综合与时间",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f80329c27c93250710335",
    "abstract": "A gateway to the philosophical reversal by which time ceases to be measured by movement, clarifying time out of joint. Image-relations provide the film-level evidence for a time-image.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-leibniz-concepts",
    "type": "webpage",
    "title": "莱布尼兹：哲学和创造概念",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/632e6b731659450daf52bee55f0c45f9",
    "abstract": "Provides a genealogy for incompossible worlds, bifurcation, and concept creation. Links to peaks of the present or powers of the false specify the temporal relation.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-ozu-essay",
    "type": "webpage",
    "title": "论小津安二郎",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/05ec79ae6a7349ef8f42c6a105290edc",
    "abstract": "Connects everyday spaces, still lifes, and empty shots to pure optical/sound situations. A break in sensory-motor extension only opens the threshold of the time-image; one must still test how temporal relations reorganize movement and shot connections.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-painting-seminar",
    "type": "webpage",
    "title": "《论绘画》：绘画研讨班",
    "issued": {
      "date-parts": [
        [
          1981
        ]
      ]
    },
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "A cross-media reference for diagrams, marks, forces, colour, and sensation. Cinematic applications resolve to shots, materiality, and bodies.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-rousseau-bergson-seminar",
    "type": "webpage",
    "title": "卢梭与柏格森（Rousseau and Bergson，1959–1960）",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR",
    "URL": "https://stiegler.notion.site/Rousseau-and-Bergson-1959-1960-3af5a09f4b5f817eb513cffbdbe38a55",
    "abstract": "Traces the teaching prehistory of duration, memory, and subjectivity as genealogical context for the time-image; direct arguments appear in Matter and Memory and Cinema 2.",
    "note": "Date as recorded: 1959–1960. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-seminar-introduction",
    "type": "webpage",
    "title": "研讨班简介",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/fa219a3e414b4309b91ca0d48f32c045",
    "abstract": "Explains the organization of seminar archives, transcripts, and translations; source level: archive guide.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-spinoza-seminar",
    "type": "webpage",
    "title": "论斯宾诺莎",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f80a896c5cf1726161aff",
    "abstract": "Supplies seminar genealogy for immanence, bodily capacities, and affect. Film analysis enters shot evidence through bodily capacities and changing speeds.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-spinoza-velocities",
    "type": "webpage",
    "title": "斯宾诺莎：思想的不同速度",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/",
    "abstract": "Extends body-cinema research through speed, slowness, affect, and capacity to act. Slowness here is relational and capacitary; slow motion and slow cinema are concrete forms.",
    "note": "Date as recorded: 1980–1981. Access: metadata-only; source: institution; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-state-war-machine",
    "type": "webpage",
    "title": "国家装置与战争机器",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f804691e2de15e2675b1a",
    "abstract": "A source for institutional space, apparatuses of capture, nomadic distribution, and collective force. Its link to political cinema operates through staging, voice allocation, and permissions to act.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-thousand-plateaus-2",
    "type": "webpage",
    "title": "千高原 II：节段性的两个形式",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/2485a09f4b5f8008bca7d6f256a5a993",
    "abstract": "Analyzes rigid and supple segmentarity in spaces, institutions, and bodies. Concrete spatial organization establishes the relation to any-space-whatever.",
    "note": "Date as recorded: 1977 course cluster. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-thousand-plateaus-3",
    "type": "webpage",
    "title": "千高原 III：连续变易",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/III-3ac5a09f4b5f816ba2a2c7ed840f57fe",
    "abstract": "Includes Deleuze and Boulez on musical time, a reference for pulsed/non-pulsed time and heterogeneous durations. Audiovisual analysis establishes any link to the cinematic time-image.",
    "note": "Date as recorded: contains IRCAM session: 1978-02-23. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-thousand-plateaus-4",
    "type": "webpage",
    "title": "千高原 IV：金属、冶金、音乐、胡塞尔、西蒙东",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/IV-3ac5a09f4b5f8144800dfeb931405ad6",
    "abstract": "Brings matter-flow, movement, metallurgy, and Simondonian individuation into film research to analyze media materiality and becoming.",
    "note": "Date as recorded: 1979-02-27. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-two-regimes-work",
    "type": "webpage",
    "title": "《两个疯狂之体制》",
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/b1810c78cea741ff9ac456ba7e6645f5",
    "abstract": "A cross-period gateway to essays, lectures, and interviews for tracing conceptual change. Collection date, original composition date, and community-page date are labeled separately.",
    "note": "Date as recorded: French collection: 2003. Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "corpus-zh-what-is-philosophy-work",
    "type": "webpage",
    "title": "德勒兹&瓜塔利《什么是哲学？》（Qu'est-ce que la philosophie ?）",
    "issued": {
      "date-parts": [
        [
          1991
        ]
      ]
    },
    "container-title": "德勒兹汉化 Deleuze seminars",
    "language": "ZH / FR / EN",
    "URL": "https://stiegler.notion.site/02dc34ae5ad44e67a3bb8dd90f996a35",
    "abstract": "A key gateway for concepts, percepts, and affects, grounding cinema and philosophy as parallel creation. This late tripartition is marked as a cross-text synthesis.",
    "note": "Access: unknown; source: community-host; rights: not-independently-verified. Access gateway last checked by the atlas: 2026-08-12; this is not the reader's access date."
  },
  {
    "id": "open-cinema-truth-time-summary",
    "type": "report",
    "title": "Cinema, Truth and Time: The Falsifier — 22 Session Summaries",
    "author": [
      {
        "literal": "The Deleuze Seminars / Charles J. Stivale"
      }
    ],
    "URL": "https://deleuze.cla.purdue.edu/wp-content/uploads/2019/05/Cinema-3-Summaries-2024-22-Sessions-83-84.pdf",
    "abstract": "Twenty-two session summaries hosted by Purdue’s Deleuze Seminars project.",
    "note": "Date as recorded: 1983–84 / 2024 summary. Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "open-death-images-issue",
    "type": "article-journal",
    "title": "Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985",
    "author": [
      {
        "literal": "Revista de Comunicação e Linguagens 63"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2025
        ]
      ]
    },
    "URL": "https://revistas.fcsh.unl.pt/rcl/issue/view/97",
    "abstract": "The journal hosts the complete issue. Article pages state CC BY-NC 4.0; follow the licence shown on each article record.",
    "note": "Access: full-text; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "open-viegas-death-muse",
    "type": "article-journal",
    "title": "Death as Film-Philosophy’s Muse",
    "author": [
      {
        "literal": "Susana Viegas"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2023
        ]
      ]
    },
    "URL": "https://run.unl.pt/entities/publication/742bbdf9-0655-42ce-9508-b15ed5592579",
    "abstract": "Full text in the Universidade NOVA de Lisboa repository.",
    "note": "Access: full-text; source: web-host; rights: explicit-open-license."
  },
  {
    "id": "open-wall-time-image",
    "type": "article-journal",
    "title": "The Time-Image: Deleuze, Cinema, and Perhaps Language",
    "author": [
      {
        "literal": "T. C. Wall"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2004
        ]
      ]
    },
    "URL": "https://web.archive.org/web/20040730003300id_/http://www.film-philosophy.com:80/vol8-2004/n23wall",
    "abstract": "Listed as open access by DOAJ; the link opens an Internet Archive capture of the original journal page.",
    "note": "Access: unknown; source: web-archive; rights: not-independently-verified."
  },
  {
    "id": "open-yang-thought-image",
    "type": "article-journal",
    "title": "德勒兹『思想—影像』或『思想＝影像』之条件及问题性",
    "author": [
      {
        "literal": "杨凯麟 / Yang Kailin"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "URL": "https://kailinyang.works/assets/docs/%E5%BE%B7%E5%8B%92%E8%8C%B2%E3%80%8C%E6%80%9D%E6%83%B3-%E5%BD%B1%E5%83%8F%E3%80%8D%E6%88%96%E3%80%8C%E6%80%9D%E6%83%B3%3D%E5%BD%B1%E5%83%8F%E3%80%8D%E4%B9%8B%E6%A2%9D%E4%BB%B6%E5%8F%8A%E5%95%8F%E9%A1%8C%E6%80%A7.pdf",
    "abstract": "Public file on the author’s website; no separate Creative Commons licence is stated.",
    "note": "Access: unknown; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-bergson-matter-memory",
    "type": "book",
    "title": "Matter and Memory",
    "author": [
      {
        "literal": "Henri Bergson"
      }
    ],
    "language": "EN",
    "URL": "https://www.zonebooks.org/books/72-matter-and-memory",
    "abstract": "Foundational for the universe of images, perception, bodily interval, pure past, memory cone, and actual/virtual relations.",
    "note": "Date as recorded: 1896 / translation edition. Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-bloomsbury-cinema-1",
    "type": "book",
    "title": "Cinema I: The Movement-Image",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "EN",
    "URL": "https://www.bloomsbury.com/uk/cinema-i-9781472535375/",
    "abstract": "Current Bloomsbury Revelations edition and e-book metadata; cite its edition-specific pagination.",
    "note": "Date as recorded: 2013 edition. Access: preview; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-bloomsbury-cinema-2",
    "type": "book",
    "title": "Cinema II: The Time-Image",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "EN",
    "URL": "https://www.bloomsbury.com/uk/cinema-ii-9781472512604/",
    "abstract": "Current reissue and e-book ISBN. Citation field: exact format.",
    "note": "Date as recorded: 2013 edition. Access: preview; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-bnf-cinema-2",
    "type": "book",
    "title": "Cinéma 2 : L’image-temps — notice bibliographique",
    "author": [
      {
        "literal": "Bibliothèque nationale de France"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1985
        ]
      ]
    },
    "language": "FR",
    "URL": "https://catalogue.bnf.fr/ark%3A/12148/cb34837710v/PUBLIC",
    "abstract": "BnF record of the original edition’s publication data and pagination.",
    "note": "Access: metadata-only; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "source-boljkovac-untimely-affects",
    "type": "book",
    "title": "Untimely Affects: Gilles Deleuze and an Ethics of Cinema",
    "author": [
      {
        "literal": "Nadine Boljkovac"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2013
        ]
      ]
    },
    "language": "EN",
    "URL": "https://www.cambridge.org/core/books/untimely-affects/E06F9701417FB618806D84B51B8BDB50",
    "abstract": "Develops an ethics of cinema through Marker, Resnais, wartime memory, and affect; Cambridge Core provides summary and institutional access.",
    "note": "Access: preview; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-cardinal-deleuze-cinema",
    "type": "book",
    "title": "Deleuze au cinéma",
    "author": [
      {
        "literal": "Serge Cardinal"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2010
        ]
      ]
    },
    "language": "FR",
    "URL": "https://www.pulaval.com/livres/deleuze-au-cinema",
    "abstract": "Official Presses de l’Université Laval edition offering a Francophone study of image, sound, sensation, and thought.",
    "note": "Access: purchase-or-subscription; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-cinema-1-zh",
    "type": "webpage",
    "title": "《電影 I：運動—影像》繁体中文版",
    "author": [
      {
        "literal": "吉尔·德勒兹；黄建宏译"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "language": "ZH",
    "URL": "https://hupinching.tw/livre/cinema-tome-1-limage-mouvement/",
    "abstract": "Translator’s bibliography page. Fields: edition, terminology, and publication data.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-cinema-2-zh",
    "type": "webpage",
    "title": "《時間—影像：電影 II》繁体中文版",
    "author": [
      {
        "literal": "吉尔·德勒兹；黄建宏译"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2003
        ]
      ]
    },
    "language": "ZH",
    "URL": "https://www.taaze.tw/products/11100002976.html",
    "abstract": "Bibliographic gateway to the Traditional Chinese translation and Taiwanese terminology. Pagination: cite this edition separately.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-cinema-journal",
    "type": "article-journal",
    "title": "Cinema: Journal of Philosophy and the Moving Image",
    "author": [
      {
        "literal": "IFILNOVA / NOVA University Lisbon"
      }
    ],
    "language": "EN / FR / PT / ES",
    "URL": "https://cinema.fcsh.unl.pt/index.php/revista",
    "abstract": "Multilingual open peer-reviewed IFILNOVA journal connecting film, philosophy, and non-Western thought.",
    "note": "Access: unknown; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-cinema-no-6-deleuze",
    "type": "article-journal",
    "title": "Gilles Deleuze and Moving Images — Cinema No. 6",
    "author": [
      {
        "literal": "Susana Viegas, ed."
      }
    ],
    "issued": {
      "date-parts": [
        [
          2014
        ]
      ]
    },
    "language": "EN / FR / PT",
    "DOI": "10.34619/p4bq-8a11",
    "URL": "https://cinema.fcsh.unl.pt/index.php/revista/issue/download/10/10",
    "abstract": "Complete open-access special issue on Deleuze and moving images; DOI 10.34619/p4bq-8a11.",
    "note": "Access: full-text; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-criterion-f-for-fake",
    "type": "motion_picture",
    "title": "F for Fake",
    "author": [
      {
        "literal": "Orson Welles / The Criterion Collection"
      }
    ],
    "language": "EN / FR",
    "URL": "https://www.criterion.com/films/908-f-for-fake",
    "abstract": "Authorized Criterion release directly relevant to powers of the false and the series of falsifiers. Access: commercial release.",
    "note": "Date as recorded: 1973 production / 1975 release. Access: purchase-or-subscription; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-criterion-hiroshima",
    "type": "motion_picture",
    "title": "Hiroshima mon amour",
    "author": [
      {
        "literal": "Alain Resnais / The Criterion Collection"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1959
        ]
      ]
    },
    "language": "FR / JA / EN",
    "URL": "https://www.criterion.com/films/217-hiroshima-mon-amour",
    "abstract": "Authorized Criterion release page with film metadata and physical/digital purchase options. Access: commercial release.",
    "note": "Access: purchase-or-subscription; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-criterion-jeanne-dielman",
    "type": "motion_picture",
    "title": "Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles",
    "author": [
      {
        "literal": "Chantal Akerman / The Criterion Collection"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1975
        ]
      ]
    },
    "language": "FR / EN",
    "URL": "https://www.criterion.com/films/302-jeanne-dielman-23-quai-du-commerce-1080-bruxelles",
    "abstract": "Official Criterion restoration and authorized release gateway for runtime, edition, and legal viewing options.",
    "note": "Access: purchase-or-subscription; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-dawkins-structuralist-world",
    "type": "book",
    "title": "Gilles Deleuze’s Structuralist Cinema-World",
    "author": [
      {
        "literal": "Roger Dawkins"
      }
    ],
    "language": "EN",
    "URL": "https://www.bloomsbury.com/us/gilles-deleuzes-structuralist-cinemaworld-9798765128275/",
    "abstract": "Derives a method for film and platform images from Deleuze’s transformed structuralism.",
    "note": "Date as recorded: 2025 / 2026. Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-deamer-cineosis",
    "type": "article-journal",
    "title": "Cineosis: Deleuze’s cinematic semiosis",
    "author": [
      {
        "literal": "David Deamer"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2011
        ]
      ]
    },
    "language": "EN",
    "DOI": "10.3366/dls.2011.0026",
    "URL": "https://doi.org/10.3366/dls.2011.0026",
    "abstract": "Peer-reviewed reconstruction of time-image semiosis through the three syntheses of time in Difference and Repetition.",
    "note": "Access: preview; source: doi-resolver; rights: not-independently-verified."
  },
  {
    "id": "source-deane-freeman-digital",
    "type": "book",
    "title": "Deleuze, Digital Media and Thought",
    "author": [
      {
        "literal": "Timothy Deane-Freeman"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2024
        ]
      ]
    },
    "language": "EN",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-digital-media-and-thought.html",
    "abstract": "Brings the out-of-field, outside, information, noise, and control societies into the study of digital images.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-deleuze-bergsonism",
    "type": "book",
    "title": "Bergsonism",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1966
        ]
      ]
    },
    "language": "EN",
    "URL": "https://www.zonebooks.org/books/24-bergsonism",
    "abstract": "Shows how Deleuze selectively reconstructs duration, memory, multiplicity, and virtuality.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-dellolio-strangers-style",
    "type": "article-journal",
    "title": "Figures of Style in Strangers on a Train",
    "author": [
      {
        "literal": "Peter J. Dellolio"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2006
        ]
      ]
    },
    "language": "EN",
    "DOI": "10.15353/kinema.vi.1123",
    "URL": "https://openjournals.uwaterloo.ca/index.php/kinema/article/download/1123/1335/2622",
    "abstract": "Open-access article, DOI 10.15353/kinema.vi.1123. Provides shot-level analysis of spatial parallelism, the strangulation reflected in the eyeglass lens, gate positions, the final lighter, and the carousel in Strangers on a Train; it verifies formal mechanisms without replacing Deleuze's conceptual criteria.",
    "note": "Access: full-text; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-dgs-asia-network",
    "type": "speech",
    "title": "Deleuze / Guattari Studies in Asia",
    "author": [
      {
        "literal": "University of Tokyo Center for Philosophy"
      }
    ],
    "language": "EN / JA / multilingual",
    "URL": "https://utcp.c.u-tokyo.ac.jp/events/2019/06/deleuze_guattari_studies_in_as/index_en.php",
    "abstract": "Official University of Tokyo conference page documenting the itinerant Asian network and its film strand. Scope: interdisciplinary network.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-dgs-india",
    "type": "speech",
    "title": "Deleuze and Guattari Studies in India Collective",
    "author": [
      {
        "literal": "DGSIC"
      }
    ],
    "language": "EN / multilingual",
    "URL": "https://www.deleuzeindia.com/",
    "abstract": "Gateway to an Indian voluntary scholarly collective’s conferences and camps across film, art, and postcolonial topics. Institution type: independent scholarly collective.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-dgs-journal",
    "type": "article-journal",
    "title": "Deleuze and Guattari Studies",
    "author": [
      {
        "literal": "Edinburgh University Press"
      }
    ],
    "language": "EN",
    "URL": "https://www.jstor.org/journal/deleguatstud",
    "abstract": "Core field journal and title history: Deleuze Studies from 2007–2017, renamed in 2018; most content requires subscription.",
    "note": "Access: preview; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-farina-cine-thought",
    "type": "article-journal",
    "title": "O cine-pensamento de Deleuze: contribuições a uma concepção estético-política da subjetividade",
    "author": [
      {
        "literal": "Juliane Tagliari Farina & Tania Mara Galli Fonseca"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2015
        ]
      ]
    },
    "language": "PT",
    "DOI": "10.1590/0103-6564A20135213",
    "URL": "https://www.scielo.br/j/pusp/a/B8St7R4gLMzXfmtdsVhKf8B/",
    "abstract": "Open Portuguese SciELO article on cine-thought, aesthetic politics, and subjectivity; DOI 10.1590/0103-6564A20135213.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-film-philosophy",
    "type": "article-journal",
    "title": "Film-Philosophy Journal",
    "author": [
      {
        "literal": "University of Edinburgh Press"
      }
    ],
    "language": "EN",
    "URL": "https://www.euppublishing.com/loi/film",
    "abstract": "Open-access journal central to film-philosophy, with ongoing work on Deleuze, time, death, embodiment, and digital images.",
    "note": "Access: unknown; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-higaki-waseda-course",
    "type": "speech",
    "title": "ドゥルーズの『シネマ』読解からみる哲学と映像",
    "author": [
      {
        "literal": "檜垣立哉 / Tatsuya Higaki"
      }
    ],
    "language": "JA",
    "URL": "https://www.wuext.waseda.jp/course/detail/66675/",
    "abstract": "Waseda extension-course gateway for a Japanese close reading of Cinema. Availability: current on the access date.",
    "note": "Access: purchase-or-subscription; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-hu-xinyu-deleuze-badiou",
    "type": "webpage",
    "title": "《德勒兹与巴迪欧电影理论比较研究——以文德斯〈虚假的运动〉为例》",
    "author": [
      {
        "literal": "胡新宇 / Hu Xinyu"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2015
        ]
      ]
    },
    "language": "ZH",
    "URL": "https://tsla.ecnu.edu.cn/EN/article/downloadArticleFile.do?attachType=PDF&id=531",
    "abstract": "Official journal PDF comparing Deleuze and Badiou through Wenders’s Wrong Move.",
    "note": "Access: full-text; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-huang-wenda-film-thought",
    "type": "webpage",
    "title": "《德勒兹的电影思想》",
    "author": [
      {
        "literal": "黄文达 / Huang Wenda"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2010
        ]
      ]
    },
    "language": "ZH",
    "DOI": "10.16382/j.cnki.1000-5579.2010.05.010",
    "URL": "https://xbzs.ecnu.edu.cn/EN/article/downloadArticleFile.do?attachType=PDF&id=11410",
    "abstract": "Official East China Normal University journal PDF; DOI 10.16382/j.cnki.1000-5579.2010.05.010.",
    "note": "Access: full-text; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-ifilnova-cinema",
    "type": "webpage",
    "title": "IFILNOVA — Cinema journal research node",
    "author": [
      {
        "literal": "Institute of Philosophy of NOVA University Lisbon"
      }
    ],
    "language": "EN / PT",
    "URL": "https://ifilnova.pt/en/digital-library/cinema-journal-of-philosophy-and-the-moving-image-2/",
    "abstract": "Institutional description of Cinema journal and its open digital-library setting at NOVA’s Institute of Philosophy.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-ikkm-elsaesser-after-deleuze",
    "type": "motion_picture",
    "title": "Film and Philosophy After Deleuze",
    "author": [
      {
        "literal": "Thomas Elsaesser / IKKM Weimar"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2011
        ]
      ]
    },
    "language": "EN",
    "URL": "https://www.ikkm-weimar.de/en/publications/video-audio/ikkm-lectures/film-and-philosophy-after-deleuze/",
    "abstract": "Official IKKM Weimar lecture video on the changing relation between film and philosophy after Deleuze.",
    "note": "Access: full-stream; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-ikkm-pisters-neuro-image",
    "type": "motion_picture",
    "title": "Signs of Time: Cerebral Metaphysics of the Neuro-Image",
    "author": [
      {
        "literal": "Patricia Pisters / IKKM Weimar"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2010
        ]
      ]
    },
    "language": "EN",
    "URL": "https://www.ikkm-weimar.de/en/publications/video-audio/ikkm-lectures/signs-of-time-cerebral-metaphysics-of-the-neuro-image/",
    "abstract": "Official IKKM lecture directly addressing time, signs, Deleuze, and the neuro-image.",
    "note": "Access: full-stream; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-ina-deleuze-femis",
    "type": "motion_picture",
    "title": "Gilles Deleuze à la FEMIS — excerpt",
    "author": [
      {
        "literal": "Institut national de l’audiovisuel"
      }
    ],
    "language": "FR",
    "URL": "https://www.ina.fr/ina-eclaire-actu/video/i06321444/gilles-deleuze-a-la-femis",
    "abstract": "A 1:18 excerpt preserved by France’s audiovisual institute. Access: preview of What Is the Creative Act?",
    "note": "Date as recorded: 1996 broadcast record. Access: stream-excerpt; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-jiang-deepfake-truth",
    "type": "webpage",
    "title": "《深度伪造与电影之真：从时间—影像、神经—影像到辩证影像》",
    "author": [
      {
        "literal": "姜宇辉 / Jiang Yuhui"
      }
    ],
    "language": "ZH",
    "URL": "https://polis.ecnu.edu.cn/a/492",
    "abstract": "Open ECNU article tracing truth across the time-image, neuro-image, and deepfakes.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-kant-seminar",
    "type": "speech",
    "title": "Kant: Synthesis and Time",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/seminar/kant-synthesis-and-time/",
    "abstract": "Deleuze’s own teaching on temporal synthesis and the emancipation of time from movement.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-kant-space-time",
    "type": "book",
    "title": "Kant’s Views on Space and Time",
    "author": [
      {
        "literal": "Stanford Encyclopedia of Philosophy"
      }
    ],
    "language": "EN",
    "URL": "https://plato.stanford.edu/entries/kant-spacetime/",
    "abstract": "Clarifies the Kantian problem behind time out of joint. Attribution: the formula is Deleuze’s.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-keeling-witch-flight",
    "type": "book",
    "title": "The Witch’s Flight",
    "author": [
      {
        "literal": "Kara Keeling"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2007
        ]
      ]
    },
    "language": "EN",
    "DOI": "10.1515/9780822390145",
    "URL": "https://doi.org/10.1515/9780822390145",
    "abstract": "Duke University Press monograph extending and challenging Deleuzian cinematic perception through Black feminist and queer theory.",
    "note": "Access: purchase-or-subscription; source: doi-resolver; rights: not-independently-verified."
  },
  {
    "id": "source-kimura-cinema-research",
    "type": "book",
    "title": "木村建哉 — Deleuze cinema publications",
    "author": [
      {
        "literal": "Seijo University"
      }
    ],
    "language": "JA",
    "URL": "https://researcher.seijo.ac.jp/html/100000119_ja.html",
    "abstract": "Official Seijo University record listing studies of cinematic image monism/dualism and the overall architecture of Cinema.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-lan-jiang-inter-imagery",
    "type": "webpage",
    "title": "《影像间性的电影哲学——如何在智能时代思考影像》",
    "author": [
      {
        "literal": "蓝江 / Lan Jiang"
      }
    ],
    "language": "ZH",
    "URL": "https://ptextold.nju.edu.cn/e5/67/c13164a648551/page.htm",
    "abstract": "Open Nanjing University text connecting inter-imagery with image production in the intelligent-media era.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-lee-cinema-2-course",
    "type": "speech",
    "title": "들뢰즈의 『시네마 II: 시간-이미지』 읽기",
    "author": [
      {
        "literal": "이지영 / Ji-young Lee"
      }
    ],
    "language": "KO",
    "URL": "https://www.artnstudy.com/n_Lecture/?LessonIdx=jyLee03&LessonPart=100",
    "abstract": "Structured Korean guide to Cinema 2. Access: paid teaching course.",
    "note": "Access: purchase-or-subscription; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-lee-spectator-image",
    "type": "article-journal",
    "title": "들뢰즈의 관객-이미지(들)과 그 현대적 확장",
    "author": [
      {
        "literal": "이지영 / Ji-young Lee"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2022
        ]
      ]
    },
    "language": "KO",
    "DOI": "10.21299/jovc.2022.41.3",
    "URL": "https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002910133",
    "abstract": "KCI record on spectator-image and its extension into networks and contemporary image culture; DOI 10.21299/jovc.2022.41.3.",
    "note": "Access: preview; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-montebello-deleuze-cinema",
    "type": "book",
    "title": "Deleuze, philosophie et cinéma",
    "author": [
      {
        "literal": "Pierre Montebello"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2008
        ]
      ]
    },
    "language": "FR",
    "URL": "https://www.editions-harmattan.fr/catalogue/livre/deleuze-philosophie-et-cinema/62901",
    "abstract": "Official Vrin edition framing movement and time as the central encounter between cinematic and philosophical practices.",
    "note": "Access: purchase-or-subscription; source: catalog; rights: not-independently-verified."
  },
  {
    "id": "source-montebello-subjectivity",
    "type": "article-journal",
    "title": "Cinéma, subjectivité et aliénation chez Deleuze",
    "author": [
      {
        "literal": "Pierre Montebello"
      }
    ],
    "language": "FR",
    "URL": "https://erraphis.univ-tlse2.fr/accueil-erraphis/textes-en-ligne/anr-subjectivite-et-alienation/%C2%AB-cinema-subjectivite-et-alienation-chez-deleuze-%C2%BB",
    "abstract": "Open French text hosted by a Toulouse university research team on cinema, subjectivity, and alienation.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-mosfilm-mirror",
    "type": "motion_picture",
    "title": "The Mirror — full film",
    "author": [
      {
        "literal": "Andrei Tarkovsky / Mosfilm Cinema Concern"
      }
    ],
    "language": "RU / EN subtitles",
    "URL": "https://www.youtube.com/watch?v=NrMINC5xjMs",
    "abstract": "Complete film on Mosfilm’s official English channel. License: official free stream, all rights reserved; regional restrictions may apply.",
    "note": "Date as recorded: 1974 production / 1975 release. Access: full-stream; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-mosfilm-solaris",
    "type": "motion_picture",
    "title": "Solaris — full film",
    "author": [
      {
        "literal": "Andrei Tarkovsky / Mosfilm Cinema Concern"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1972
        ]
      ]
    },
    "language": "RU / EN subtitles",
    "URL": "https://www.youtube.com/watch?v=Z8ZhQPaw4rE",
    "abstract": "Complete film on Mosfilm’s official English channel; the free stream remains subject to copyright and regional availability.",
    "note": "Access: full-stream; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-nfb-les-raquetteurs",
    "type": "motion_picture",
    "title": "Les raquetteurs",
    "author": [
      {
        "literal": "Gilles Groulx & Michel Brault / National Film Board of Canada"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1958
        ]
      ]
    },
    "language": "FR",
    "URL": "https://www.nfb.ca/film/les_raquetteurs/",
    "abstract": "Complete official NFB short-film stream, identified by the institution as an important precursor of direct cinema.",
    "note": "Access: full-stream; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-nfb-pour-la-suite",
    "type": "motion_picture",
    "title": "Pour la suite du monde — English version",
    "author": [
      {
        "literal": "Pierre Perrault & Michel Brault / National Film Board of Canada"
      }
    ],
    "language": "FR / EN",
    "URL": "https://www.nfb.ca/film/pour_la_suite_du_monde_en/",
    "abstract": "Official free full stream from the National Film Board of Canada. Download-to-own covers personal use worldwide or classroom use in Canada; an institutional licence covers institutional settings and free public screenings.",
    "note": "Date as recorded: 1962 production / 1963 release. Access: full-stream; source: streaming-platform; rights: not-independently-verified."
  },
  {
    "id": "source-nietzsche-philosophy",
    "type": "book",
    "title": "Nietzsche and Philosophy",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "issued": {
      "date-parts": [
        [
          1962
        ]
      ]
    },
    "language": "EN",
    "URL": "https://cup.columbia.edu/book/nietzsche-and-philosophy/9780231138765/",
    "abstract": "Deleuze’s Nietzschean background for powers of the false, degrees of power, becoming, and value creation.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-nilsson-cinecepts",
    "type": "book",
    "title": "Cinecepts, Deleuze, and Godard-Miéville",
    "author": [
      {
        "literal": "Jakob Nilsson"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2025
        ]
      ]
    },
    "language": "EN",
    "URL": "https://edinburghuniversitypress.com/book-cinecepts-deleuze-and-godard-mieville.html",
    "abstract": "Develops the cinecept as a framework for philosophy proceeding through film, video, and audiovisual media.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-nilsson-film-philosophy",
    "type": "article-journal",
    "title": "Deleuze, Concepts, and Ideas about Film as Philosophy",
    "author": [
      {
        "literal": "Jakob Nilsson"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2018
        ]
      ]
    },
    "language": "EN",
    "DOI": "10.5195/jffp.2018.834",
    "URL": "https://doi.org/10.5195/jffp.2018.834",
    "abstract": "Open peer-reviewed article distinguishing cinematic blocks of movement/duration from philosophical concept creation.",
    "note": "Access: unknown; source: doi-resolver; rights: not-independently-verified."
  },
  {
    "id": "source-nornes-riddle-vase",
    "type": "book",
    "title": "The Riddle of the Vase: Ozu Yasujirō’s Late Spring (1949)",
    "author": [
      {
        "literal": "Abé Mark Nornes"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2007
        ]
      ]
    },
    "language": "EN",
    "URL": "https://deepblue.lib.umich.edu/items/2135c61e-4032-4437-8cbf-9214a0848c6a",
    "abstract": "Open-access chapter in the University of Michigan repository, published in Japanese Cinema: Texts and Contexts, pp. 78–89. Nornes surveys conflicting readings and explains on p. 86 how Bordwell and Thompson correct Richie and Schrader's descriptions of point of view, while asking why that formal correction still fails to explain the vase's force. Rejecting a fixed symbol inferred from ‘Noriko sees the vase’ is the atlas's methodological boundary.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-parente-ufrj",
    "type": "book",
    "title": "André Parente — Cinema/Deleuze and N-Imagem",
    "author": [
      {
        "literal": "Universidade Federal do Rio de Janeiro"
      }
    ],
    "language": "PT",
    "URL": "https://www.pos.eco.ufrj.br/site/corpo_docente_interna.php?id=4",
    "abstract": "Official UFRJ profile documenting Parente’s Deleuze cinema work, Paris 8 background, and N-Imagem research node.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-paris8-deleuze-2025",
    "type": "speech",
    "title": "Gilles Deleuze : usages contemporains d’une pensée du cinéma",
    "author": [
      {
        "literal": "Université Paris 8 / ESTCA / LLCP"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2025
        ]
      ]
    },
    "language": "FR",
    "URL": "https://www.estca.univ-paris8.fr/gilles-deleuze-usages-contemporains-dune-pensee-du-cinema/",
    "abstract": "Open Paris 8 centenary-colloquium programme mapping contemporary Francophone uses of Deleuzian cinema thought.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-parks-late-spring-event",
    "type": "article-journal",
    "title": "Change, Horizon, and Event in Ozu’s Late Spring (1949)",
    "author": [
      {
        "literal": "Tyler Parks"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2016
        ]
      ]
    },
    "language": "EN",
    "DOI": "10.3366/film.2016.0016",
    "URL": "https://research-repository.st-andrews.ac.uk/handle/10023/19815",
    "abstract": "Open article in Film-Philosophy 20.2–3, DOI 10.3366/film.2016.0016. Pages 292–298 bring Deleuze's temporal reading into debate with shot legibility, continuing snoring, and a musical entrance during the second vase shot. The shot lengths reported in the article differ from this carrier's measurements; the article does not establish the reason for the discrepancy.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-peirce-edition",
    "type": "book",
    "title": "Peirce Edition Project",
    "author": [
      {
        "literal": "Indiana University Indianapolis"
      }
    ],
    "language": "EN",
    "URL": "https://liberalarts.indianapolis.iu.edu/centers/peirce-edition/index.html",
    "abstract": "Authoritative critical-edition project and research gateway for Peirce’s writings.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-pisters-metallurgist",
    "type": "article-journal",
    "title": "The Filmmaker as Metallurgist",
    "author": [
      {
        "literal": "Patricia Pisters"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2016
        ]
      ]
    },
    "language": "EN",
    "URL": "https://pure.uva.nl/ws/files/2661421/169697_Film_Philosophy_vol20_1_2016_PISTERS.pdf",
    "abstract": "University of Amsterdam repository PDF connecting Deleuze, metallurgical transformation, filmmaking, and thought.",
    "note": "Access: full-text; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-rizzo-feminist-introduction",
    "type": "book",
    "title": "Deleuze and Film: A Feminist Introduction",
    "author": [
      {
        "literal": "Teresa Rizzo"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2012
        ]
      ]
    },
    "language": "EN",
    "URL": "https://www.bloomsbury.com/us/deleuze-and-film-9781441155627/",
    "abstract": "Book-length feminist study testing Deleuzian film concepts through spectatorship, bodies, and becoming.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-seminar-classification",
    "type": "speech",
    "title": "Cinema: The Classification of Signs and Time, 1982–1983",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/seminar/cinema-the-classification-of-signs-and-time/",
    "abstract": "The middle terrain between the Cinema books, where classification begins to encounter time.",
    "note": "Date as recorded: 1982–83. Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-seminar-classification-lecture-12-3",
    "type": "speech",
    "title": "Cinema: The Classification of Signs and Time — Lecture 12, 1 March 1983",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/lecture/lecture-12-3/",
    "abstract": "Primary page for lecture 12 on 1 March 1983, where the mental-image problem is concentrated on images that take relation itself as object, with recording, French transcript, and English translation access.",
    "note": "Date as recorded: 1983-03-01. Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-seminar-falsifier",
    "type": "speech",
    "title": "Cinema, Truth and Time: The Falsifier, 1983–1984",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/seminar/cinema-truth-and-time-the-falsifier/",
    "abstract": "Primary background for powers of the false, temporal crisis, Leibniz, Nietzsche, Welles, and the series of falsifiers.",
    "note": "Date as recorded: 1983–84. Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-seminar-movement",
    "type": "speech",
    "title": "Cinema: The Movement-Image, 1981–1982",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/seminar/cinema-the-movement-image/",
    "abstract": "Traces the classroom formation of the Bergsonian and Peircean movement-image taxonomy.",
    "note": "Date as recorded: 1981–82. Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-seminar-thought",
    "type": "speech",
    "title": "Cinema and Thought, 1984–1985",
    "author": [
      {
        "literal": "Gilles Deleuze"
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/seminar/cinema-and-thought/",
    "abstract": "Primary classroom development of thought, the spiritual automaton, political cinema, body, and brain.",
    "note": "Date as recorded: 1984–85. Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-seminars-all",
    "type": "speech",
    "title": "The Deleuze Seminars — complete archive",
    "author": [
      {
        "literal": "Purdue University / Charles J. Stivale et al."
      }
    ],
    "language": "FR / EN",
    "URL": "https://deleuze.cla.purdue.edu/seminars/",
    "abstract": "University-maintained primary seminar archive with recordings, French transcripts, English translations, summaries, and session indexes.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-sep-bergson",
    "type": "book",
    "title": "Henri Bergson",
    "author": [
      {
        "literal": "Stanford Encyclopedia of Philosophy"
      }
    ],
    "language": "EN",
    "URL": "https://plato.stanford.edu/entries/bergson/",
    "abstract": "Peer-edited orientation and bibliography supporting secondary accounts of Bergson.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-sep-nietzsche",
    "type": "book",
    "title": "Friedrich Nietzsche",
    "author": [
      {
        "literal": "Stanford Encyclopedia of Philosophy"
      }
    ],
    "language": "EN",
    "URL": "https://plato.stanford.edu/entries/nietzsche/",
    "abstract": "Reliable background on becoming, eternal recurrence, value, and critique of truth.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-sep-peirce",
    "type": "book",
    "title": "Peirce’s Theory of Signs",
    "author": [
      {
        "literal": "Stanford Encyclopedia of Philosophy"
      }
    ],
    "language": "EN",
    "URL": "https://plato.stanford.edu/entries/peirce-semiotics/",
    "abstract": "Reliable baseline for Firstness, Secondness, Thirdness, and sign relations—and for seeing what Deleuze transforms.",
    "note": "Access: unknown; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-thain-bodies-suspense",
    "type": "book",
    "title": "Bodies in Suspense: Time and Affect in Cinema",
    "author": [
      {
        "literal": "Alanna Thain"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2017
        ]
      ]
    },
    "language": "EN",
    "URL": "https://www.upress.umn.edu/9780816692958/bodies-in-suspense/",
    "abstract": "Official Minnesota edition treating bodies in postdigital cinema as generative surfaces of time and affect.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-thomas-thought-world",
    "type": "book",
    "title": "Deleuze, Cinema and the Thought of the World",
    "author": [
      {
        "literal": "Allan James Thomas"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2018
        ]
      ]
    },
    "language": "EN",
    "URL": "https://edinburghuniversitypress.com/book-deleuze-cinema-and-the-thought-of-the-world.html",
    "abstract": "Reconstructs what cinema does for Deleuze’s philosophy through interval, duration, and the crystal-image.",
    "note": "Access: purchase-or-subscription; source: publisher; rights: not-independently-verified."
  },
  {
    "id": "source-tozawa-croyance",
    "type": "article-journal",
    "title": "ジル・ドゥルーズ『シネマ』における Croyance 概念の層構造",
    "author": [
      {
        "literal": "戸澤幸作 / Kosaku Tozawa"
      }
    ],
    "language": "JA",
    "URL": "https://researchmap.jp/tozawakosaku/published_papers/36665623/attachment_file.pdf",
    "abstract": "Author-record full text on Researchmap analyzing the layered concept of croyance in the Cinema books.",
    "note": "Access: full-text; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-uff-philosophy-cinema",
    "type": "speech",
    "title": "Filosofia e Cinema — UFF research project",
    "author": [
      {
        "literal": "Jorge Vasconcellos / Universidade Federal Fluminense"
      }
    ],
    "language": "PT",
    "URL": "https://ppgca.uff.br/?p=5292",
    "abstract": "Official UFF project connecting cinema, philosophy, education, and Lusophone Deleuze research.",
    "note": "Access: metadata-only; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-uno-image-body",
    "type": "book",
    "title": "映像身体論",
    "author": [
      {
        "literal": "宇野邦一 / Kuniichi Uno"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2008
        ]
      ]
    },
    "language": "JA",
    "URL": "https://www.msz.co.jp/book/detail/07362/",
    "abstract": "Official Misuzu edition of a major Japanese study connecting body, image, cinema, and becoming.",
    "note": "Access: purchase-or-subscription; source: web-host; rights: not-independently-verified."
  },
  {
    "id": "source-xiong-joyful-cinema",
    "type": "webpage",
    "title": "《德勒兹，或喜悦的电影学》",
    "author": [
      {
        "literal": "应雄 / Xiong Ying"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2025
        ]
      ]
    },
    "language": "ZH",
    "URL": "https://www.let.hokudai.ac.jp/en/book/27051",
    "abstract": "Official Hokkaido University page documenting this systematic and critical Chinese-language study.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-yang-kailin-two-points-line",
    "type": "webpage",
    "title": "〈二（特異）點與一（抽象）線：德勒茲思想—影像或思想＝影像之條件及問題性〉",
    "author": [
      {
        "literal": "楊凱麟 / Kailin Yang"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2006
        ]
      ]
    },
    "language": "ZH",
    "DOI": "10.6258/bcla.2006.64.06",
    "URL": "https://homepage.ntu.edu.tw/~bcla/e_book/64/06.pdf",
    "abstract": "Full text on a National Taiwan University journal server; DOI 10.6258/bcla.2006.64.06, on thought-image, non-representation, and virtuality.",
    "note": "Access: full-text; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-zabunyan-estca",
    "type": "book",
    "title": "Dork Zabunyan — publications and research profile",
    "author": [
      {
        "literal": "Université Paris 8 / ESTCA"
      }
    ],
    "language": "FR",
    "URL": "https://www.estca.univ-paris8.fr/zabunyan-dork/",
    "abstract": "Official Paris 8 profile documenting Les Cinémas de Gilles Deleuze and Zabunyan’s film–philosophy research.",
    "note": "Access: metadata-only; source: institution; rights: not-independently-verified."
  },
  {
    "id": "source-zunino-laberinto",
    "type": "book",
    "title": "Deleuze: el laberinto de la imagen",
    "author": [
      {
        "literal": "Pablo Enrique Abraham Zunino"
      }
    ],
    "issued": {
      "date-parts": [
        [
          2020
        ]
      ]
    },
    "language": "ES",
    "DOI": "10.55778/ts877232585",
    "URL": "https://www.teseopress.com/deleuze/",
    "abstract": "Complete open Spanish-language monograph from Teseo Press; DOI 10.55778/ts877232585.",
    "note": "Access: unknown; source: web-host; rights: not-independently-verified."
  }
]