Two men converse beside a furnace fire in a workshop.01:10:00
The origin of the post structure remains unsettled in a workshop exchange.

People and fabulation · SHOT EVIDENCE

Workshop debate over the origin of the posts

How does historical conjecture enter fabulation while retaining an evidentiary boundary?

01

Film and viewing version

Pour la suite du monde · Pour la suite du monde · Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗 · 1963

Official NFB English-version stream; anchor 01:10:00 verified. The displayed window locates that anchor; narrative boundaries await shot-level review.

Version boundary: The timecodes on this page apply only to the named viewing carrier. Restorations, differing leaders, or platform transcodes may shift them.

02

Passage and still timecodes

approx. 01:09:30—01:10:30

The window locates the passage; its boundaries remain approximate

The passage window and still anchor are separate coordinates: the Bilibili still at 01:10:00 was checked on 2026-08-13; it does not turn an approximate passage on another carrier into exact bounds.

03

Visible facts

  1. 01

    Two men converse beside a furnace fire in a workshop.

04

Audible facts

  1. 01

    The exchange asks where Indigenous people obtained the idea for the posts.

05

Action relation

Origin circulates as an unresolved question among speakers and shapes how they understand the ongoing work.

06

Temporal relation

The past remains stratified within dispute rather than closed by a single authority.

07

Conceptual reading

08

Primary and scholarly coordinates

  1. 01
    Cinema 2: The Time-Image

    Minnesota 1989 translation: ch. 6, pp. 150–153; ch. 8, pp. 221–224

    Perrault: the white whale and fabulation in chapter 6; storytelling speech-act, fishing action, memory, and a people to come in chapter 8.

Terminological coordinates

Chapter relations

09

Viewing and still sources