00:27:50Audio-visual relation · SHOT EVIDENCE
A historical voice crosses the ruined Chancellery
When a political voice can still be sold and replayed while its architecture of power lies ruined, which time governs the image?
Film and viewing version
Germany Year Zero · Germania anno zero · Roberto Rossellini / 罗伯托·罗西里尼 · 1948
Frame-checked against the single-part Bilibili repost stream BV1hP4y1k78i: the page API reports 4,388 seconds and the retrieved qn16 media runs 4,387.37 seconds. Bilibili supplies no subtitle track; audible facts record only clearly discernible German speech, music, and ambient sound in the image sequence.
Version boundary: The timecodes on this page apply only to the named viewing carrier. Restorations, differing leaders, or platform transcodes may shift them.
Passage and still timecodes
00:27:41 to 00:28:24
Passage bounds checked on the named carrier
The passage bounds and Bilibili still at 00:27:50 were checked separately on their named carriers. They remain distinct coordinates and do not establish identical timecodes for other versions.
Visible facts
- 01
Edmund carries a case of records through the ruins while soldiers, visitors, and children move among broken walls.
- 02
The facade, monumental steps, and empty doorways repeatedly reduce the figures to small bodies within the frame.
Audible facts
- 01
A portable gramophone plays a German political speech with an amplified, archival timbre; brief location conversation is also audible.
Action relation
Selling records gives the child an action-line, but the image surrounds that transaction with the scale of ruin and a historical soundtrack.
Temporal relation
The past returns as reproducible sound while the centre of power it proclaimed has become a shell; sound and image occupy different temporal states.
Conceptual reading
If the speech merely explains the place, sound and image remain illustrative; sound gains autonomous temporal pressure when recorded authority conflicts with architectural destruction.
Concepts used in the judgement
- Pure optical / sound situationopsigne / sonsigne · SCENE SUPPORT
Test whether the recording exceeds locational explanation and forms an autonomous auditory layer beside the ruin.
→ - Any-space-whateverespace quelconque · SCENE SUPPORT
The destroyed centre of power loses its former use and spatial continuity.
→
Primary and scholarly coordinates
- 01Cinema 2: The Time-Image
Minnesota 1989 translation: Preface, p. xi; ch. 1, p. 2. 2004 Simplified Chinese edition: ch. 1, p. 3.
Brief primary-text mention: Deleuze uses the child in Germany Year Zero to connect motor helplessness with a greater capacity to see and hear. Preface p. x and the chapter's following passages are adjacent conceptual context, not direct pages on the film; the scene windows, facts, and criteria are this atlas's shot analysis.
Terminological coordinates
Chapter relations
Viewing and still sources
Direct scene · Complete single-part Bilibili film; the page and anonymous Player API were verified as playable. Bilibili submission label: repost.