BOOKS / EDITIONS · QUESTIONS · ROUTES

31 works: editions, guides, and research routes

Every work combines a version-specific cover and edition record with its core problem, contribution, and reading route. 8 works now expand into chapter-by-chapter deep guides with 614 exact print locators and 189 curated film/image cases.

Editions follow publisher, library, and institutional records · Deep guides include 22 verified frame placements · Titles and covers open the atlas guide

BOOKS AND READING GUIDES

All books and research guides

The directory records 31 works one by one, with their core questions, contributions, reading routes, originals, and translations. Book titles and covers open individual guides; search by author, edition, concept, or film.

3 works · 3 shown

Monograph

Deleuze, Cinema and National Identity

David Martin-Jones

NO OA FULL BOOK

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Reading themesSpeech, people & worldDuration, memory & dreams

Original edition

Deleuze, Cinema and National Identity: Narrative Time in National Contexts

English · Edinburgh University Press · 2006

ISBN 9780748622443Verify edition

Published translations · 0

No verifiable published translation record was located.

ATLAS READING NOTEArgument and structureFull guide →

Core question

How is national identity produced through narrative time? How do mixtures of movement-image and time-image in contemporary cinema rewrite histories of war, reunification, crisis, and the global city?

Argument

Martin-Jones relocates Deleuze's image taxonomy across national contexts including North America, Britain, Germany, Hong Kong, Japan, South Korea, Italy, and Poland, demonstrating the inseparability of form and historical politics. Within a single film, movement-image and time-image deterritorialize and reterritorialize one another. Temporal fracture may dismantle triumphalist history or be recaptured by national myth.

Argument structure

History and memory connect narrative time to national archaeology. The global-city, Gulf War, post-9/11, and Pacific Rim studies follow two changes: films disrupt historical time, while their endings reorganize action and identity. Local histories thereby help reshape the relation between movement-image and time-image.

Monograph

Deleuze and World Cinemas

David Martin-Jones

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Reading themesSpeech, people & worldAction in crisis & seeing

Original edition

Deleuze and World Cinemas

English · Continuum · 2011

ISBN 9780826436429Verify edition

Published translations · 0

No verifiable published translation record was located.

ATLAS READING NOTEArgument and structureFull guide →

Core question

How do movement-images and time-images form new combinations across the distinct histories and politics of cinemas from Argentina, South Korea, Hong Kong, India, and globalized Los Angeles?

Argument

The book releases Deleuze’s taxonomy from a narrowly European history, allowing national narration, colonial experience, and global circulation to modify the concepts. Its central question becomes how a film makes time within a specific world.

Argument structure

Argentine child seers, South Korean time-travel films, Hong Kong action cinema, Los Angeles blockbusters, and Indian masala cinema encounter different historical pressures. Movement-images and time-images recombine within these national and genre contexts, allowing local histories to reshape how the taxonomy applies.

Edited collection

Deleuze and Film

David Martin-Jones; William Brown (eds.)

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Reading themesSpeech, people & worldThought, sound & bodies

Original edition

Deleuze and Film

English · Edinburgh University Press · 2012

ISBN 9780748641208Verify edition

Published translations · 0

No verifiable published translation record was located.

ATLAS READING NOTEArgument and structureFull guide →

Core question

What new methods emerge when Deleuzian film philosophy enters world cinema, digital images, gender, religion, and genre studies?

Argument

The collection presents multiple routes to the time-image and brings local aesthetics and global genres into concept production. Its value lies in disagreement: chapters offer different answers about conceptual openness, historical boundaries, and film evidence.

Argument structure

Studies of different regions and themes develop three tensions: movement/time, body/technology, and local/global. Chapters offer different answers about the reach of concepts, historical boundaries, and film evidence, presenting multiple routes to the time-image.

Stable links to 28 additional records

Cinéma 1: L’image-mouvement — Gilles Deleuze Cinéma 2: L’image-temps — Gilles Deleuze The Cinematic Body — Steven Shaviro Gilles Deleuze’s Time Machine — D. N. Rodowick Deleuze and Cinema: The Aesthetics of Sensation — Barbara M. Kennedy The Skin of the Film — Laura U. Marks Deleuze on Cinema — Ronald Bogue Deleuze, Altered States and Film — Anna Powell Deleuze and the Cinemas of Performance — Elena del Río Gilles Deleuze : cinéma et philosophie — Paola Marrati Documentary Time: Film and Phenomenology — Malin Wahlberg Photography, Cinema, Memory — Damian Sutton Dreams of Difference, Songs of the Same — Amy Herzog Deleuze and Cinema: The Film Concepts — Felicity Colman The Neuro-Image — Patricia Pisters Cinema After Deleuze — Richard Rushton Deleuze e i concetti del cinema — Daniela Angelucci Hacia una imagen no-tiempo — Sergi Sánchez Deleuze’s Cinema Books — David Deamer The Intensive-Image in Deleuze’s Film-Philosophy — Cristóbal Escobar La Fable cinématographique — Jacques Rancière 《有生命的影像：吉尔·德勒兹电影影像论研究》 — 徐辉 / Xu Hui 《后人类影像：探索一种后德勒兹的电影哲学》 — 姜宇辉 / Jiang Yuhui Différence et répétition — Gilles Deleuze The Brain Is the Screen — Gregory Flaxman (ed.)Afterimages of Gilles Deleuze’s Film Philosophy — D. N. Rodowick (ed.)《缠绕的诗学：德勒兹思维方法研究》 — 秦兰珺 / Qin Lanjun 《吉尔·德勒兹身体创造学研究》 — 韩桂玲 / Han Guiling

31work-by-work research guides

5with published Chinese editions

1open full book

3edited collections

PORTABLE DATA

Download the 31-work edition list

The CSV records authors, original editions, verified published translations across languages, and separately identified access status and acquisition gateways.

Download CSV Return to research library Continue through book–film paths

OPEN READING

Open books, articles, and seminar materials

Books, open issues, articles, and seminar summaries state their carrier and licence separately. Links lead to publishers, repositories, journals, or author pages.

01CC BY-NC-ND 4.0

Hacia una imagen no-tiempo: Deleuze y el cine contemporáneo

Sergi Sánchez · 2022

Official OA edition from Universidad de Oviedo; 314 PDF pages. Cite the 2022 edition.

Open complete book

02Open issue

Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985

Revista de Comunicação e Linguagens 63 · 2025

The journal hosts the complete issue. Article pages state CC BY-NC 4.0; follow the licence shown on each article record.

Open open journal issue

03CC BY-NC

Death as Film-Philosophy’s Muse

Susana Viegas · 2023

Full text in the Universidade NOVA de Lisboa repository.

Open peer-reviewed article

04Author-hosted

德勒兹『思想—影像』或『思想＝影像』之条件及问题性

杨凯麟 / Yang Kailin · 2003

Public file on the author’s website; no separate Creative Commons licence is stated.

Open author-hosted article

05Institution-hosted

Cinema, Truth and Time: The Falsifier — 22 Session Summaries

The Deleuze Seminars / Charles J. Stivale · 1983–84 / 2024 summary

Twenty-two session summaries hosted by Purdue’s Deleuze Seminars project.

Open seminar summaries

06DOAJ / archived journal page

The Time-Image: Deleuze, Cinema, and Perhaps Language

T. C. Wall · 2004

Listed as open access by DOAJ; the link opens an Internet Archive capture of the original journal page.

Open open article archive

Downloads and reading

The atlas compiles the bibliography CSV. Full-text links lead to publishers or institutions; each edition lists its purchase, subscription, preview, or controlled-lending conditions.