RESEARCH GUIDE · ATLAS CROSS-INDEX
Deleuze and World Cinemas
How do movement-images and time-images form new combinations across the distinct histories and politics of cinemas from Argentina, South Korea, Hong Kong, India, and globalized Los Angeles?
CORE QUESTION
How do movement-images and time-images form new combinations across the distinct histories and politics of cinemas from Argentina, South Korea, Hong Kong, India, and globalized Los Angeles?
CONTRIBUTION
The book releases Deleuze’s taxonomy from a narrowly European history, allowing national narration, colonial experience, and global circulation to modify the concepts. Its central question becomes how a film makes time within a specific world.
READING ROUTE
Follow the sequence from Argentine child seers through South Korean time-travel films, Hong Kong action cinema, Los Angeles blockbusters, and Indian masala cinema; record how historical pressures alter the mixture of movement-image and time-image in each case.
CONTINUE THROUGH THE ATLAS
Connect this book to concepts, chapters, films, and evidence
EDITIONS & ACCESS
Return from the argument to verifiable editions
Deleuze and World Cinemas
English · Continuum · 2011
ISBN 9780826436429Verify original editionNo verifiable published translation was located in this review.
Purchase / subscription
The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.