Argument
The collection presents multiple routes to the time-image and brings local aesthetics and global genres into concept production. Its value lies in disagreement: chapters offer different answers about conceptual openness, historical boundaries, and film evidence.
Core question
What new methods emerge when Deleuzian film philosophy enters world cinema, digital images, gender, religion, and genre studies?
Argument structure
Studies of different regions and themes develop three tensions: movement/time, body/technology, and local/global. Chapters offer different answers about the reach of concepts, historical boundaries, and film evidence, presenting multiple routes to the time-image.
Related concepts, chapters, and films
Original editions, translations, and access
Deleuze and Film
English · Edinburgh University Press · 2012
ISBN 9780748641208Original edition detailsNo translation details listed.