RESEARCH GUIDE · ATLAS CROSS-INDEX
Hacia una imagen no-tiempo
How do digital images transform cinema's organization of death, memory, and time, moving from Edmund in Germany Year Zero to David in A.I. Artificial Intelligence?
CORE QUESTION
How do digital images transform cinema's organization of death, memory, and time, moving from Edmund in Germany Year Zero to David in A.I. Artificial Intelligence?
CONTRIBUTION
Sánchez uses the digital image as an axis for organizing postwar child seers, artificial life, death, spectrality, and temporal exhaustion into the problem of a non-time-image. The children of Germany Year Zero and A.I. Artificial Intelligence form a historical hinge between temporal fractures in film and persistence in digital cinema.
READING ROUTE
Begin with the child seer of Germany Year Zero as a time-image baseline, then follow the chapters on digital images, artificial life, death, and spectrality into A.I.; finish by testing how non-time emerges jointly from technical carriers and the persistence of figures.
CONTINUE THROUGH THE ATLAS
Connect this book to concepts, chapters, films, and evidence
EDITIONS & ACCESS
Return from the argument to verifiable editions
Hacia una imagen no-tiempo: Deleuze y el cine contemporáneo
Spanish · Universidad de Oviedo · 2013
ISBN 9788483179789Verify original editionNo verifiable published translation was located in this review.
2022 publisher OA edition · complete PDF
The open file is the official 2022 edition of the same work, ISBN 9788418324451. Cite it as the 2022 edition.