Argument
Sánchez uses the digital image as an axis for organizing postwar child seers, artificial life, death, spectrality, and temporal exhaustion into the problem of a non-time-image. The children of Germany Year Zero and A.I. Artificial Intelligence form a historical hinge between temporal fractures in film and persistence in digital cinema.
Core question
How do digital images transform cinema's organization of death, memory, and time, moving from Edmund in Germany Year Zero to David in A.I. Artificial Intelligence?
Argument structure
The child seer of Germany Year Zero and the artificial life of A.I. connect historical changes in time-images and digital images. Death, spectrality, and the persistence of figures bring the question of time into technical carriers. Non-time thus concerns how images continue to exist.
Related concepts, chapters, and films
Original editions, translations, and access
Hacia una imagen no-tiempo: Deleuze y el cine contemporáneo
Spanish · Universidad de Oviedo · 2013
ISBN 9788483179789Original edition detailsNo translation details listed.
2022 publisher OA edition · complete PDF
CC BY-NC-ND 4.0