Argument
The collection moves from internal commentary on the Cinema books to their aftereffects, placing time, body, space, and media boundaries under new historical conditions. Its multi-author form makes conceptual disagreements directly comparable.
Core question
How do the ‘afterimages’ of Deleuze’s film philosophy continue to work across digital media, politics, aesthetics, and intermedial practice?
Argument structure
Digital media, bodies, space, and politics connect the essays. Their authors extend, modify, or contest Deleuze's image relations under new historical and media conditions, producing different subsequent interpretations of the same concepts.
Related concepts, chapters, and films
Original editions, translations, and access
Afterimages of Gilles Deleuze’s Film Philosophy
English · University of Minnesota Press · 2010
ISBN 9780816650071Original edition detailsNo translation details listed.