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RESEARCH GUIDE · ATLAS CROSS-INDEX

Afterimages of Gilles Deleuze’s Film Philosophy

D. N. Rodowick (ed.)

How do the ‘afterimages’ of Deleuze’s film philosophy continue to work across digital media, politics, aesthetics, and intermedial practice?

Afterimages of Gilles Deleuze’s Film Philosophy, edited by D. N. Rodowick, 2010 edition cover
2010 English edition coverVerify cover
01

CORE QUESTION

How do the ‘afterimages’ of Deleuze’s film philosophy continue to work across digital media, politics, aesthetics, and intermedial practice?

02

CONTRIBUTION

The collection moves from internal commentary on the Cinema books to their aftereffects, placing time, body, space, and media boundaries under new historical conditions. Its multi-author form makes conceptual disagreements directly comparable.

03

READING ROUTE

Select essays along digital, embodied, spatial, and political lines, then follow authors through the atlas scholar map; for each essay, record which primary relation it extends, modifies, or contests.

05

EDITIONS & ACCESS

Return from the argument to verifiable editions

ORIGINAL

Afterimages of Gilles Deleuze’s Film Philosophy

English · University of Minnesota Press · 2010

ISBN 9780816650071Verify original edition
PUBLISHED TRANSLATIONS

No verifiable published translation was located in this review.

LEGAL ACCESS

Purchase / subscription

The work was written in English. No verifiable published full translation in Simplified or Traditional Chinese was located.