RESEARCH GUIDE · ATLAS CROSS-INDEX
《后人类影像：探索一种后德勒兹的电影哲学》
How do ghosts, infection, war, the machine-eye, and slow time move film philosophy into a post-Deleuzian phase and reshape subjectivity?
CORE QUESTION
How do ghosts, infection, war, the machine-eye, and slow time move film philosophy into a post-Deleuzian phase and reshape subjectivity?
CONTRIBUTION
Jiang Yuhui connects negativity, subjectivity, and contemporary technology through the posthuman image, organizing ghosts, infection, war, haptics, apocalypse, cities, ecology, and games into a field of image-problems. Film philosophy turns from vitalism toward the reconstruction of subjectivity through vulnerability, passivity, and human–machine entanglement.
READING ROUTE
Begin with the posthuman subject and the three images of ghost, infection, and war; move through delirium, haptics, and apocalypse; end with the machine-eye, slow time, and mind-games as contemporary human–machine relations.
CONTINUE THROUGH THE ATLAS
Connect this book to concepts, chapters, films, and evidence
EDITIONS & ACCESS
Return from the argument to verifiable editions
《后人类影像：探索一种后德勒兹的电影哲学》
Simplified Chinese · 上海人民出版社 · 2024
ISBN 9787208190122Verify original editionNo verifiable published translation was located in this review.
Purchase / library
The original is in Simplified Chinese. No published foreign-language or Traditional Chinese edition was located.