
Cinema After Deleuze
English · Continuum · 2012
ISBN 9780826438928Verify editionNo verifiable published translation record was located.
Core question
Did the time-image truly replace the movement-image in cinema after Deleuze?
Argument
Rushton stresses the continuing coexistence of the two regimes. A film may sustain an action-chain in one passage and release seeing, waiting, or sound from action in another, making the concrete formal transition the unit of analysis.
Argument structure
The action structure of the movement-image and the breakdown of the sensory-motor schema form the two poles of the argument. Movement and direct time coexist, mix, or shift locally within films; changes inside each film develop the relation between the two image regimes.