BOOKS / EDITIONS · QUESTIONS · ROUTES

31 works: editions, guides, and research routes

Every work combines a version-specific cover and edition record with its core problem, contribution, and reading route. 8 works now expand into chapter-by-chapter deep guides with 614 exact print locators and 189 curated film/image cases.

Editions follow publisher, library, and institutional records · Deep guides include 22 verified frame placements · Titles and covers open the atlas guide
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BOOKS AND READING GUIDES

All books and research guides

The directory records 31 works one by one, with their core questions, contributions, reading routes, originals, and translations. Book titles and covers open individual guides; search by author, edition, concept, or film.

2 works · 2 shown

Gilles Deleuze’s Time Machine by D. N. Rodowick, 1997 edition cover
1997 English edition coverVerify cover
04
Monograph

Gilles Deleuze’s Time Machine

D. N. Rodowick

NO OA FULL BOOK

Full reading guide

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Reading themesTime & falsifying narrationThought, sound & bodies
Original edition

Gilles Deleuze’s Time Machine

English · Duke University Press · 1997

ISBN PB 9780822319702 · HB 9780822319627 · eBook 9780822396871Verify edition
Published translations · 1
ATLAS READING NOTEArgument and structureFull guide →

Core question

How do the two Cinema books construct a philosophical machine of time, signs, subjectivity, and truth from a vast archive of auteurs and films? What condition of thought changes in the passage from movement-image to time-image?

Argument

Rodowick folds three decades of Deleuze's philosophy of time into the Cinema books' internal architecture. Commensurable intervals sustain action and the model of truth, whereas irrational cuts place incompatible images in direct contact; the subject emerges as delayed response within the matter-image universe and is then carried into coexisting pasts, forking presents, and series of falsifiers. Taxonomy becomes a genesis of how images produce thought.

Argument structure

Commensurable intervals and irrational cuts run through the book. The genesis of movement, subject, and sign leads into transformations of time, truth, and thought; ethics and world concern how the subject lives through those transformations. This argument connects the Cinema books' taxonomy with Deleuze's philosophy of time.

The English original has paperback, hardcover, and eBook ISBNs 9780822319702, 9780822319627, and 9780822396871; a Turkish translation was published in 2018. No verifiable published full translation in Simplified or Traditional Chinese was located.

Institutional subscription / snippetsFull reading guide Access / acquisition gateway
Afterimages of Gilles Deleuze’s Film Philosophy, edited by D. N. Rodowick, 2010 edition cover
2010 English edition coverVerify cover
28
Edited collection

Afterimages of Gilles Deleuze’s Film Philosophy

D. N. Rodowick (ed.)

NO OA FULL BOOK

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Reading themesThought, sound & bodiesSpeech, people & world
Original edition

Afterimages of Gilles Deleuze’s Film Philosophy

English · University of Minnesota Press · 2010

ISBN 9780816650071Verify edition
Published translations · 0

No verifiable published translation record was located.

ATLAS READING NOTEArgument and structureFull guide →

Core question

How do the ‘afterimages’ of Deleuze’s film philosophy continue to work across digital media, politics, aesthetics, and intermedial practice?

Argument

The collection moves from internal commentary on the Cinema books to their aftereffects, placing time, body, space, and media boundaries under new historical conditions. Its multi-author form makes conceptual disagreements directly comparable.

Argument structure

Digital media, bodies, space, and politics connect the essays. Their authors extend, modify, or contest Deleuze's image relations under new historical and media conditions, producing different subsequent interpretations of the same concepts.

Stable links to 29 additional records
Cinéma 1: L’image-mouvement — Gilles DeleuzeCinéma 2: L’image-temps — Gilles DeleuzeThe Cinematic Body — Steven ShaviroDeleuze and Cinema: The Aesthetics of Sensation — Barbara M. KennedyThe Skin of the Film — Laura U. MarksDeleuze on Cinema — Ronald BogueDeleuze, Cinema and National Identity — David Martin-JonesDeleuze, Altered States and Film — Anna PowellDeleuze and the Cinemas of Performance — Elena del RíoGilles Deleuze : cinéma et philosophie — Paola MarratiDocumentary Time: Film and Phenomenology — Malin WahlbergPhotography, Cinema, Memory — Damian SuttonDreams of Difference, Songs of the Same — Amy HerzogDeleuze and Cinema: The Film Concepts — Felicity ColmanDeleuze and World Cinemas — David Martin-JonesThe Neuro-Image — Patricia PistersCinema After Deleuze — Richard RushtonDeleuze e i concetti del cinema — Daniela AngelucciHacia una imagen no-tiempo — Sergi SánchezDeleuze’s Cinema Books — David DeamerThe Intensive-Image in Deleuze’s Film-Philosophy — Cristóbal EscobarLa Fable cinématographique — Jacques Rancière《有生命的影像:吉尔·德勒兹电影影像论研究》 — 徐辉 / Xu Hui《后人类影像:探索一种后德勒兹的电影哲学》 — 姜宇辉 / Jiang YuhuiDifférence et répétition — Gilles DeleuzeThe Brain Is the Screen — Gregory Flaxman (ed.)Deleuze and Film — David Martin-Jones; William Brown (eds.)《缠绕的诗学:德勒兹思维方法研究》 — 秦兰珺 / Qin Lanjun《吉尔·德勒兹身体创造学研究》 — 韩桂玲 / Han Guiling
31work-by-work research guides
5with published Chinese editions
1open full book
3edited collections
PORTABLE DATA

Download the 31-work edition list

The CSV records authors, original editions, verified published translations across languages, and separately identified access status and acquisition gateways.

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OPEN READING

Open books, articles, and seminar materials

Books, open issues, articles, and seminar summaries state their carrier and licence separately. Links lead to publishers, repositories, journals, or author pages.

01CC BY-NC-ND 4.0

Hacia una imagen no-tiempo: Deleuze y el cine contemporáneo

Sergi Sánchez · 2022

Official OA edition from Universidad de Oviedo; 314 PDF pages. Cite the 2022 edition.

Open complete book
02Open issue

Death-Images: Revisiting Deleuze’s ‘Time-Image’ in Cinema after 1985

Revista de Comunicação e Linguagens 63 · 2025

The journal hosts the complete issue. Article pages state CC BY-NC 4.0; follow the licence shown on each article record.

Open open journal issue
03CC BY-NC

Death as Film-Philosophy’s Muse

Susana Viegas · 2023

Full text in the Universidade NOVA de Lisboa repository.

Open peer-reviewed article
04Author-hosted

德勒兹『思想—影像』或『思想=影像』之条件及问题性

杨凯麟 / Yang Kailin · 2003

Public file on the author’s website; no separate Creative Commons licence is stated.

Open author-hosted article
05Institution-hosted

Cinema, Truth and Time: The Falsifier — 22 Session Summaries

The Deleuze Seminars / Charles J. Stivale · 1983–84 / 2024 summary

Twenty-two session summaries hosted by Purdue’s Deleuze Seminars project.

Open seminar summaries
06DOAJ / archived journal page

The Time-Image: Deleuze, Cinema, and Perhaps Language

T. C. Wall · 2004

Listed as open access by DOAJ; the link opens an Internet Archive capture of the original journal page.

Open open article archive
©

Downloads and reading

The atlas compiles the bibliography CSV. Full-text links lead to publishers or institutions; each edition lists its purchase, subscription, preview, or controlled-lending conditions.