《后人类影像：探索一种后德勒兹的电影哲学》
Simplified Chinese · 上海人民出版社 · 2024
ISBN 9787208190122Verify editionNo verifiable published translation record was located.
Core question
How do ghosts, infection, war, the machine-eye, and slow time move film philosophy into a post-Deleuzian phase and reshape subjectivity?
Argument
Jiang Yuhui connects negativity, subjectivity, and contemporary technology through the posthuman image, organizing ghosts, infection, war, haptics, apocalypse, cities, ecology, and games into a field of image-problems. Film philosophy turns from vitalism toward the reconstruction of subjectivity through vulnerability, passivity, and human–machine entanglement.
Argument structure
The posthuman subject runs through images of ghosts, infection, and war, connecting delirium, haptics, and apocalypse. The machine-eye, slow time, and mind-games place the subject's vulnerability, passivity, and reconstruction within contemporary human–machine relations.