
《有生命的影像:吉尔·德勒兹电影影像论研究》
Simplified Chinese · 北京大学出版社 · 2014
ISBN 9787301243565Verify editionNo verifiable published translation record was located.
Core question
How does Deleuze understand cinematic images as living powers of difference and becoming?
Argument
Xu Hui systematically connects image ontology, movement, time, difference, and life in Chinese, building a complete route from philosophical foundations into both Cinema books. It returns cinematic terminology to Deleuze’s broader thought.
Argument structure
Movement-image, time-image, and difference provide three lines of inquiry into the life of images. The genesis of movement relations, the direct appearance of time, and the production of difference connect cinematic form with Deleuze's philosophy of becoming.