001
Witnesses search different sheets of the past for Kane; a complete truth remains unactualized.
FILM ATLAS
Film atlas
An index of 147 films, with shot analysis, concept explanations, stills, scholarship, and viewing links. Search by title, director, concept, or viewing source, then open a film to read its analysis.
147 films; showing all 5 matches
Films and analyses
002
The camera withdraws to hold the figure, then advances into a corridor that now belongs to her home. False continuity detaches space from action’s coordinates.
003
Deleuze primary text
Pour la suite du monde
Pour la suite du monde · 1963
Pierre Perrault & Michel Brault / 皮埃尔·佩罗、米歇尔·布罗 · Canada
Reviving the beluga hunt is both action and storytelling. Filming reorganizes communal memory and produces collective utterances that prefigure a people to come.
004
Alexis and Perrault become intercessors for one another through the journey to France. The search does not restore a fixed origin; character, filmmaker, and Québec's collective voice change together through storytelling.
005
Deleuze primary text
A Ridiculous Kind of Country
Un pays sans bon sens! · 1970
Pierre Perrault / 皮埃尔·佩罗 · Canada
Isolated figures question Québec belonging from different positions, turning country into a problem no single representative can close. Disagreement, relay, and transformation form collective utterances directed toward a people to come.
SCENES · 16 DOSSIERS
Film stills and scene analysis
64 scene analyses describe images, sounds, characters’ actions, and temporal relations. Bilibili viewing links accompany 16 of the films.
FILM ARGUMENTS · 3
Theory unfolds inside the shot
Each essay begins with continuous scenes and connects them to primary passages, seminar records, cited scholarship, and atlas analysis.
Brief mention by Deleuze · 1948Germany Year ZeroRuins, historical sound, sensory-motor rupture, and the child seerDeleuze primary text · 1963Pour la suite du mondeOral memory, the beluga hunt, fabulation, and a people to comeAtlas analysis · 2004Tropical MaladyRupture, soundscape, queer time, and becoming in Tropical Malady
01A flashback is not direct time
Ask whether it merely supplies causal information; time becomes the issue only when distinct sheets of past coexist without reducing to one recollection.
02A mirror is not automatically a crystal
A mirror is only a formal clue; a crystal requires actual and virtual to exchange while remaining indiscernible.
03A long take does not automatically present time
Duration is not the conclusion; ask whether persistence, waiting, and intervals subordinate movement to time rather than merely slowing action.
Edition, source-label, and viewing notes
Timecodes refer to the edition named in each entry. Primary-text locators distinguish Minnesota 1989 from Bloomsbury Revelations 2013; scene analyses and bibliography records have direct links. Research library
IDENTIFY · VERIFY · WATCH
Film identification and viewing
Title, year, and director distinguish films with the same name. Posters include their source; original title cards are labelled separately.
Search by title and year for film records, cast, and edition details.
Viewing links distinguish features from excerpts. Part numbers, film start times, subtitles, login requirements, and region restrictions appear beside the relevant link.
Primary conceptual case
Deleuze directly uses the film to establish, distinguish, or deepen a concept.
Brief mention by Deleuze
The film appears in Cinema 2 as a brief example, list item, or supporting mention.
Cited later scholarship
Established by a named monograph, article, or special issue.
Atlas analysis
Conceptual interpretations and comparisons developed from specific shots.
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- Viewing links
- 155
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- 108