An index of 147 films, with shot analysis, concept explanations, stills, scholarship, and viewing links. Search by title, director, concept, or viewing source, then open a film to read its analysis.
147 films; showing all 5 matches
Self Made · premiered 2010 / released 2011
Gillian Wearing / 吉莉安·韦尔林 · United Kingdom
Documentary performance training and fictional roles alternate between clarity and opacity; identity shifts continuously through performance.
Six bodies generate multiple Dylans through heterogeneous attitudes, voices, and bodily surfaces.
Polițist, adjectiv · 2009
Corneliu Porumboiu / 科内利乌·波隆波尤 · Romania
Dictionary, blackboard, command, attitude, and rank assemble bodies into institutional ritual; gestus is a configuration of social relations.
Black stage, white lines, and invisible doors turn setting into a map of thought and reveal space as a relational machine.
City, memory, body, and possible futures interweave; viewing proceeds by reading relations among image strata.
64 scene analyses describe images, sounds, characters’ actions, and temporal relations. Bilibili viewing links accompany 16 of the films.
Each essay begins with continuous scenes and connects them to primary passages, seminar records, cited scholarship, and atlas analysis.
Ask whether it merely supplies causal information; time becomes the issue only when distinct sheets of past coexist without reducing to one recollection.
A mirror is only a formal clue; a crystal requires actual and virtual to exchange while remaining indiscernible.
Duration is not the conclusion; ask whether persistence, waiting, and intervals subordinate movement to time rather than merely slowing action.
Timecodes refer to the edition named in each entry. Primary-text locators distinguish Minnesota 1989 from Bloomsbury Revelations 2013; scene analyses and bibliography records have direct links. Research library
Title, year, and director distinguish films with the same name. Posters include their source; original title cards are labelled separately.
Search by title and year for film records, cast, and edition details.
Viewing links distinguish features from excerpts. Part numbers, film start times, subtitles, login requirements, and region restrictions appear beside the relevant link.
Deleuze directly uses the film to establish, distinguish, or deepen a concept.
The film appears in Cinema 2 as a brief example, list item, or supporting mention.
Established by a named monograph, article, or special issue.
Conceptual interpretations and comparisons developed from specific shots.
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