Pablo Enrique Abraham Zunino

Record what the figure perceives, how the body is affected, and what action follows; then ask whether that action alters the milieu and supplies usable cues for the next perception. At which link does the circuit break?

Identify the unactualized yet already operative relations, memories, or tendencies that constrain the shot, then show how they differentiate into this actual composition, performance, sound, or narrative form. Merely imagining a possible future does not pass the test.

Does the film expose a lie to restore truth, or alter the rules by which truth and falsity are produced?

The vase still life intervenes between the daughter’s smile and tears, placing change within time’s unchanging form.

Witnesses search different sheets of the past for Kane; a complete truth remains unactualized.

Each expert, forger, director, and narrator passes the tribunal to another. The question becomes whose power can create.