System & semiotics

Kosaku Tozawa

戸澤幸作

Differentiates layers of croyance in the Cinema books, clarifying narrative belief, relation to the world, and the ethics of modern cinema.

01

Major works

02

Atlas further reading: debates

Begin with how a taxonomy is produced and how signs change, then test its reach through action relations, actual–virtual circuits, and powers of the false.

D2

Replacement or coexistence?

The time-image reverses the subordination of time to movement; both regimes persist and can shift locally within one film.

D4

Taxonomy or generator?

Fixed labels invite mere example-hunting; an open taxonomy requires new concepts to transform existing relations and explain across cases.

D7

How do we use Deleuze precisely?

Test four layers: sensory-motor relation, actual/virtual circuit, audio-visual connection, and regime of truth.

Compare the seven open debates
03

Atlas further reading: concepts and films

04

Sources

  1. 01
    Article or research recordOpen external record ↗
  1. 01
    ジル・ドゥルーズ『シネマ』における Croyance 概念の層構造

    Author-record full text on Researchmap analyzing the layered concept of croyance in the Cinema books.

    Open internal source record →