An index of 147 films, with shot analysis, concept explanations, stills, scholarship, and viewing links. Search by title, director, concept, or viewing source, then open a film to read its analysis.
147 films; showing all 3 matches
La hora de los hornos · 1968
Fernando Solanas & Octavio Getino / 费尔南多·索拉纳斯、奥克塔维奥·赫蒂诺 · Argentina
Montage, intertitles, pauses, and discussion organize projection as political action. Because the film presupposes a revolutionary people available to be addressed, it becomes a decisive comparison for testing the boundary of Deleuze's claim that the people are missing.
Bir Zamanlar Anadolu’da · 2011
Nuri Bilge Ceylan / 努里·比格·锡兰 · Turkey
Headlights repeatedly illuminate similar slopes and fountains, yet the suspect can only answer 'not here.' The search accumulates no mastery of the steppe; it releases wind, an apple rolling into a stream, car conversations about illness and family, and the pause produced when the mayor's daughter serves tea. Even after the body is found, transported, and examined, the doctor suppresses a detail that could alter responsibility. Procedure finishes while the event remains unexhausted: the time of death stays among landscape, fatigue, and a judgment left unwritten.
Rendez-vous avec Pol Pot · 2024
Rithy Panh / 潘礼德 · Cambodia / France
Re-enactment, archive, and absent bodies suspend genocidal time; this is a contemporary time-/death-image analysis advanced by the 2025 issue.
64 scene analyses describe images, sounds, characters’ actions, and temporal relations. Bilibili viewing links accompany 16 of the films.
Each essay begins with continuous scenes and connects them to primary passages, seminar records, cited scholarship, and atlas analysis.
Ask whether it merely supplies causal information; time becomes the issue only when distinct sheets of past coexist without reducing to one recollection.
A mirror is only a formal clue; a crystal requires actual and virtual to exchange while remaining indiscernible.
Duration is not the conclusion; ask whether persistence, waiting, and intervals subordinate movement to time rather than merely slowing action.
Timecodes refer to the edition named in each entry. Primary-text locators distinguish Minnesota 1989 from Bloomsbury Revelations 2013; scene analyses and bibliography records have direct links. Research library
Title, year, and director distinguish films with the same name. Posters include their source; original title cards are labelled separately.
Search by title and year for film records, cast, and edition details.
Viewing links distinguish features from excerpts. Part numbers, film start times, subtitles, login requirements, and region restrictions appear beside the relevant link.
Deleuze directly uses the film to establish, distinguish, or deepen a concept.
The film appears in Cinema 2 as a brief example, list item, or supporting mention.
Established by a named monograph, article, or special issue.
Conceptual interpretations and comparisons developed from specific shots.
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