Abbas Kiarostami / 阿巴斯·基亚罗斯塔米 · 2003
Five Dedicated to Ozu
Five Dedicated to Ozu
Human action leaves the centre; waves, driftwood, moonlight, frogs, and rain become temporal events that must be watched and heard.
Film details
- Original title
- Five Dedicated to Ozu
- Director
- Abbas Kiarostami / 阿巴斯·基亚罗斯塔米
- Year
- 2003
- Region
- Iran
Analysis and scene sources
Shots and scenes
Primary texts, scholarship, and locators
Theory coordinate: Deamer, Deleuze’s Cinema Books, pp. 299–304
- 01Deleuze’s Cinema Books: Three Introductions to the Taxonomy of Images
Detailed reconstruction with a film index; the nine-cell grid and eleven film cases carry the evidence status of Deamer’s later interpretation.
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This film in books and research
The Cinematic Body · Further discussion
Sound is not an annotation added to images
pp. 34–35
Claim: Sound and image jointly produce space, expectation, and rhythm; vibration, captions, audio description, and sign-language interpretation can also recompose the audiovisual object through distinct modalities.
Extension: Chion's audio-vision shows that sound and image produce a new perceptual object together; Eidsheim returns sound and listening to a vibrational practice formed by medium, space, technology, and bodies.
Tension: The tactile image cannot absorb every sonic problem. Sound, hearing, listening, sign-language interpretation, and caption reading must remain distinct; not hearing does not mean lacking access to the audiovisual object through other modalities.
Viewing gateways and editions
- Janus Filmsjanusfilms.comOpen film page ↗
- Source type
- Distributor or streaming platform