Identification poster for Here and Elsewhere
IMDb identification poster · for film identification only

Jean-Luc Godard, Anne-Marie Miéville & Jean-Pierre Gorin / 让-吕克·戈达尔、安妮-玛丽·米耶维尔、让-皮埃尔·戈兰 · 1976

Here and Elsewhere

Ici et ailleurs

Palestinian images and French domestic images are not unified by analogy. The between first breaks the received chain, then lets difference itself organize a new political relation.

Film details

Original title
Ici et ailleurs
Director
Jean-Luc Godard, Anne-Marie Miéville & Jean-Pierre Gorin / 让-吕克·戈达尔、安妮-玛丽·米耶维尔、让-皮埃尔·戈兰
Year
1976
Region
France
Reading attribution: Atlas editorial synthesis · Sources and locators

Close-reading questions

  1. 01
    How does the interstice between Palestinian and French domestic images precede analogy and explanation?
  2. 02
    How do AND and BETWEEN break the old chain of militant images and return images to bodies and political relations?

Analysis and scene sources

Shots and scenes

Primary texts, scholarship, and locators

Theory coordinate: Cinema 2, Minnesota 1989, ch. 7, pp. 179–80, 185; ch. 8, p. 193

  1. 01
    Cinema 2: The Time-Image

    Authoritative source for the standard translation, translators, ISBN, and publication date.

    Open the atlas source record →
Consult the primary-text locator above.

This film in books and research

The Cinematic Body · Further discussion

The body is never an unmarked universal

pp. 88–89

Claim: Visibility, tactility, identification, and the right to refuse viewing are differentiated by racial histories, archival regimes, and relations of production.

Extension: hooks historicizes the oppositional gaze as a practice of Black female spectatorship; this site further tests refusal of identification as a bodily survival practice. Keeling tests cinematic perception through Black feminist and queer temporalities.

Tension: Universal contagion and passivity can erase who is more likely to be misrecognized, surveilled, or killed. Intensity has no inherently anticolonial direction, and both forming and dissolving identity can be political acts.

bell hooks, Black LooksStam and Spence: Colonialism, Racism and RepresentationDiawara: Black Spectatorship, Identification and ResistanceKeeling, The Witch's Flight

Viewing gateways and editions

  1. Verified complete Bilibili carrier: 让 - 吕克・戈达尔、让 - 皮埃尔・戈兰、安妮 - 玛丽・米耶维尔《此处与彼处》Ici et ailleurs.1976bilibili.comOpen film page ↗
    Page access
    Accessible when checked
    Version extent
    Recorded as a complete version
    Source type
    User-uploaded page

    Edition note: Complete single-part film · 53:05.

    Link checked: 2026-08-13

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