RESEARCH CHAPTER 09

Why must intimacy share one future?

Intimacy need not follow the normative sequence of meeting, marriage, reproduction, and inheritance; relations have temporal rights of their own.

01

Central question

How can cinema give a relation beginnings, intervals, and endings that do not follow the sequence of meeting, marriage, reproduction, and inheritance?

Questions still open

  • Which repetitions, intervals, promises, and unfulfilled plans alter the visibility of a relation rather than merely describe character psychology?
02

Argument and analysis

Intimacy need not follow the normative sequence of meeting, marriage, reproduction, and inheritance; relations have temporal rights of their own.

Days, Viet and Nam, Fin de siècle, and Tropical Malady move asynchronous, brief, and non-normative futures from psychology into form. The task is not to label a film queer but to observe who defines when a relation begins, ends, or must be fulfilled as one future.

Relation to identify while viewing

Track intervals of meeting, repeated promises, and unfulfilled plans: do these temporal differences change the relation’s visibility?

03

Scope

Hypothesis: chrononormativity comes from an interdisciplinary research context. The chapter brings it into film-form analysis without attributing the term to Deleuze.

Chinese manuscript locator
Bearing Time Chinese DOCX, paragraphs 806–874.
04

References

  1. 01

    CHINESE RESEARCH MANUSCRIPT

    Bearing time: the expanded thirteen chapters

    The complete Chinese chapter and its bibliography.

    Locator
    DOCX paragraphs 806–874
  2. 02

    SCHOLARSHIP

    Deleuze time-image: global research review

    Surveys research on queer temporality, bodies, and contemporary cinema.

    Locator
    Bodies, gender, and contemporary temporal-politics sections of the Deleuze time-image global research review.
    Note
    Atlas literature review; the listed articles and monographs are the sources for individual arguments.
  3. 03

    ATLAS ANALYSIS

    Deleuze time-image film catalogue

    Compares action, memory, sound, and media material across films.

    Locator
    The corresponding film entries in the Deleuze time-image film catalogue.
05

Films and concepts

06

Counterexamples and limits

Queer characters, brief relations, or nonmarital life are not sufficient. If temporal form still resolves the relation into one normative future, subject identity does not establish asynchronous intimacy.

07

Further reading