Orson Welles / 奥逊·威尔斯 · 1951
Othello
Othello
Death supplies a fixed point around which jealousy, testimony, deceit, and memory coexist non-chronologically; Iago turns truth-seeking and judgement into a changing series of falsifiers. Montage organizes both sheets of past and relations of force.
Film details
- Original title
- Othello
- Director
- Orson Welles / 奥逊·威尔斯
- Year
- 1951
- Region
- United States / Morocco / Italy
Reading attribution: Atlas editorial synthesis · Sources and locators
Close-reading questions
- 01How does the opening funeral establish death as a fixed point around which jealousy, testimony, and deception are subsequently rearranged?
- 02Which montage passages make several sheets of past coexist without arranging them into stable chronology?
Analysis and scene sources
Shots and scenes
Primary texts, scholarship, and locators
Theory coordinate: Cinema 2, Minnesota 1989, ch. 5, p. 111; ch. 6, pp. 137, 140–41, 146
- 01Cinema 2: The Time-Image
Authoritative source for the standard translation, translators, ISBN, and publication date.
Open the atlas source record →
Viewing gateways and editions
- Verified complete Bilibili carrier: 《奥赛罗》1951美国7.8分爱情BD1080p.中字bilibili.comOpen film page ↗
- Page access
- Accessible when checked
- Version extent
- Recorded as a complete version
- Source type
- User-uploaded page
Edition note: Chinese-subtitled complete single-part film, runtime 1:31:00.
Link checked: 2026-08-13