Le Jour se lève

1. 01
   As the film moves from François already enclosed in the room into a continuous past, which objects and streets retain their position and which relations are reassigned?
2. 02
   The same encounter is cut at different rhythms in successive recollections. Does the flashback supply motive, or does a sheet of past continue to press on the present?
3. 03
   As police surround the room at dawn, how do stairs, windows, and smoke turn an escapable action-space into a container of time that can only be seen?

Theory coordinate: Cinema 2, ch. 3, pp. 49–50, 57; ch. 4, pp. 71, 96

1. 01
   Cinema 2: The Time-Image

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   Edition note: Single-part film · 1:31:33; related analysis discusses the recollection passages.

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