Nathalie Granger

The house ceases to contain action. Desire unfolds through speech while perception extends among empty rooms, bodies, and objects; what Deleuze calls a class of violence circulates between sound-image and visual image.

Film details

Original title: Nathalie Granger
Director: Marguerite Duras / 玛格丽特·杜拉斯
Year: 1972
Region: France

Reading attribution: Atlas editorial synthesis · Sources and locators

Close-reading questions

01
How do domestic gestures, piano sound, radio, and extended pauses release the house from a defined action-goal?
02
When does violence cease to be a visible event and become a relation circulating between sound-image and visual image?

Shots and scenes

Read the complete film analysis: shot relations, temporal structure, and concepts

Primary texts, scholarship, and locators

Theory coordinate: Cinema 2, Minnesota 1989, ch. 9, pp. 257, 259

01
Cinema 2: The Time-Image
Authoritative source for the standard translation, translators, ISBN, and publication date.
Open the atlas source record →

Consult the primary-text locator above.

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Viewing gateways and editions

Verified complete Bilibili carrier: 娜妲莉·葛兰吉 Nathalie Granger (1972)bilibili.comOpen film page ↗
Page access
Accessible when checked
Version extent
Recorded as a complete version
Source type
User-uploaded page
Edition note: Complete single-part film, runtime 1:19:15.
Link checked: 2026-08-13
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